What is in Kelvin's Head?

Knowing Me, Knowing You – Monday evening

22/09/2013

I’m doing another Knowing Me, Knowing You evening on Monday evening and there’s still a couple of places free. (I limit this one to 20 people in order to keep the conversation flowing).

Here’s the official notice:

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Knowing Me, Knowing You – Monday 23 September 2013 at 7.30 pm in the Synod Hall.

An evening of conversation with the Cathedral Provost, the Very Rev Kelvin Holdsworth. This is limited to 20 people to ensure the converation flows and there are still a few places left. Kelvin will be speaking about what brought him to St Mary’s, what his vision is for the congregation and is prepared to answer any questions.

This is an ideal event for anyone new to the congregation but is also open to those who have been around for a while but who have not previously attended one of these evenings.

To reserve a place, please contact Jo in the Cathedral Office using this online form: Book a place

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I try very hard not to model this on An Evening With Dame Edna Everidge, really I do.

Always a good opportunity to get to know me a bit better and ask some questions. (Really, I’ll take questions about anything…). Particularly good for anyone who is finding a way into St Mary’s. Also open to old stagers who’ve not been to one of these evenings before and also those who read this blog and are provost-curious but have not quite made it to church yet.

9 responses to “The Lament Question”

kimberly

12/08/2009

ask it in the singular, and the answer is: because you’re a four.

you’ll have me playing the funeral ikos next.

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kimberly

12/08/2009

the other answer is about possibility being revealed in limits.

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kelvin

12/08/2009

Its not just me though, and not just fours.

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Aaron Orear

12/08/2009

I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

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Erp

12/08/2009

I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

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RosemaryHannah

12/08/2009

Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

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Elizabeth

13/08/2009

Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

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Ritualist Robert

14/08/2009

Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

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Steve

14/08/2009

I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

There is also a hint of an answer in this poem by Edwin Muir:

Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.

Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.

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