• Design Process for Discussing Same-Sex Relationships

    My General Synod papers arrived with a thud in the office today. Along with them is a briefing paper which is entitled “Briefing Note regarding design process for discussing same-sex relationships”.

    The short version is that the College of Bishops has invited the Mission and Ministry Board to establish a design group to create a process by which the whole church will be able to engage in discussion. The remit for the design process is this:

    To design a process to enable consideration within the Scottish Episcopal Church of matters concerning same sex relationships; such a process to enable exploration and discussion in a range of contexts and in an ‘unpressured’ atmosphere to allow time to be taken for careful and thoughtful consideration of the matters in question.

    The Design Group is asked to seek the advice and engagement of the Continuing Indaba initiative of the Anglican Communion in designing a process for the Scottish Episcopal Church and also to consider the possible involvement of one or more partner dioceses or provinces within the Anglican Communion in any such process.

    The Design Group is asked to report to the Mission and Ministry Board following the conclusion of the process

    The Bishop of Brechin, the Rt Rev Nigel Peyton has agreed to act as convener of the group. He, the Primus, along with two Episcopalians who have experience of organising Provincial Conferences (the Rev Dr Anne Tomlinson and Elspeth Davey) met with the Rev Canon Dr Phil Groves of the Anglican Communion Office recently and they came up with the following principles to be offered to the design group.

    • The process should be province-wide with a view to enabling “every voice to be heard”
    • The process should be inclusive and transparent.
    • The process should be rooted in biblical principles of honest conversation across difference including mutual respect, complementarity and differentiated unity.
    • The process should include an Anglican Communion aspect by involving Communion partners, perhaps through existing diocesan companionship links.
    • The concept of indaba-type discussion is not new to the Scottish Episcopal Church. The last provincial conference (2004) embodied the concept of journeying together in mutual listening and discussion and it is expected that such an approach will feature in whatever process the design group develops.
    • The design group should contain an appropriate mix of gender, ordained and lay and gay and straight people.

    The Board is now seeking suggestions of names to be put forward for the design group.

    It is not clear to me from any of this what matters relating to same-sex relationships we are talking about. (How to find a partner? How to plan your wedding? Whether you can be a bishop? – it does rather matter).

    For those wondering what an indaba discussion is, I’d define it as the manner in which the Anglican Communion has excluded gay voices from discussion processes. There are always those who are horrified at me saying this. However, I think there is some truth in it. The idea of an indaba process was introduced to the wider Anglican world in 2008  at the Lambeth Conference as a process at which the only possible out, gay partnered bishop would be formally excluded. Since then, “indaba processes” have frequently been used across the world to suppress the idea of listening to gay and lesbian people speak with their own voices on these topics (which many Anglican conferences, synods and conferences have called for) in place of “listening to difference”. In other words, it has consistently been a process by which gay voices have been silenced.

    There was no mention of the word “indaba” at the 2004 conference. I was there. The only time we have had what was called an indaba process was at the General Synod a couple of years ago when the Synod broke into indaba groups to discuss the Anglican covenant. The process took 57 minutes and seemed to me to differ from having discussion groups simply and only by the participants being offered sticky buns (no, really) in order to represent the idea of us meeting in the context of hospitality.

    The group which has devised the principles listed above appears to me to contain both ordained people and lay people and a mix of gender. The group does not appear to me to have included anyone who happens to be gay.

    I’d be interested in the thoughts of others on this matter before I say anything else. I’m aware that to those outside Scotland in certain other Anglican provinces, these processes might well appear to be beyond their wildest dreams. I’ve a hunch that the response here in Scotland might well be mixed.

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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