Here’s a video featuring Bishop Kevin and a fine hat.
9 responses to “The Lament Question”
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ask it in the singular, and the answer is: because you’re a four.
you’ll have me playing the funeral ikos next.
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the other answer is about possibility being revealed in limits.
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Its not just me though, and not just fours.
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I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)
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I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.
Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.
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Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.
I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.
And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.
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Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?
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Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.
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I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.
There is also a hint of an answer in this poem by Edwin Muir:
Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.
Previous Posts
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BirthdayFest #1 – You Never Can Tell
Just back from seeing Mr Shaw’s, You Never Can Tell at the King’s Theatre in Edinburgh. A comedy of manners intertwined with a gentle battle of the sexes never does anyone any harm. Ms Diana Quick presented a most elegantly emancipated dragon; Mr Edward Fox an all-seeing Butler. If anything about the play surprises is…
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BirthdayFest
Having missed going to see anything at all during the Edinburgh Festival and not having been to the theatre for months, I have decided to declare the coming week BirthdayFest in honour of my 39th birthday which falls tomorrow. So, off to Edinburgh for a bit of Shaw. Review later.
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New CDs
Three new CDs purchased this week. It seems ages since I bought new music. Firstly Kate Rusby’s new CD The Girl who Couldn’t Fly. You know exactly where you are with the Barnsley Nightingale – maudlin songs of love and folly. Excellent for the winter nights. Then a copy of Jennifer Bate’s recording of Messiaen’s…
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Could the cat be deaf?
Discuss.
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