• Guest Post: Alan McManus on The Feast of St Francis

    The Feast of St Francis is increasingly being marked in the church these days, most obviously by services for the blessing of animals. St Mary’s will be having just such a service on Sunday afternoon at 2.30 pm. However, Francis is about a good deal more than animal blessings. In this guest post, Dr Alan McManus reflects on the challenges that Francis presents to us as we celebrate his legacy on this his feast day. Alan is the author of, Alchemy at the Chalkface: Pirsig, Pedagogy and the Metaphysics of Quality, on www.robertpirsig.org  and, Only Say The Word: Affirming Gay and Lesbian Love, forthcoming from Circle Books. He runs Alchemical Life Coaching and is the animating force behind Tent City Theatre Company, both based in Glasgow. Alan attends St Mary’s Cathedral.

    Did you see the news last week about the young Frenchman, the MIT (LSE?) drop-out who publicly kissed a paedophile priest, liberated twenty beagles from an in-vivo tobacco testing lab and then forced his way into the Stock Exchange – was it Wall St? the Bourse? – stripped off his clothes and left them at the feet of his father?

    It may have been the son of a Cathar cloth merchant, a leper, a lion with a thorn in its paw and a market square in 12th century Umbria. I’m hazy on the details. Anyway, it was big. Unofficial Church sources say it’s “too politically sensitive to touch” but local people have reacted positively and are putting up bird baths in his honour.

    Francesco, the ‘Frenchman’, was nothing if not theatrical. Which is one of the reasons why I love him and possibly one of the reasons why, twenty years ago, I spent a year as a Franciscan ‘postulant’ and novice. Although I didn’t know it at the time. What attracted me then was his simplicity, his spontaneity and his spirituality of identification with the poor.

    The poor (like schalmtz) will be with us always. We had that on good authority 2,000 years ago and it’s one prediction that has stood the test of time.

    (more…)

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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