• Never mind the quality, feel the width

    Might it be that if we managed to do things just a little better in church, more people might turn up?

    Last week there was a significant report published for the Church in Wales as it considers the way forward. The picture is familiar – lots of buildings, aging congregations, clergy deployment issues etc. (Note that one of the authors of the report is our own Prof Peattie).

    I was struck by the section on Cathedrals which says this:

    We believe that cathedrals will have an increasingly important role in the church of the future. Experience from elsewhere shows that although church attendance generally is declining, cathedral congregations continue to grow. This is because they can be centres of excellence for preaching, education and music. People today are prepared to travel to find such excellence. This means that cathedrals need to be fully part of the mission and ministry strategy of each Diocese and, within the overall principle of collaborative ministry, their distinctive role needs to be taken into account for this, as well as for the Ministry Area in which they are situated.
    Recommendation VIII
    The distinctive role of each cathedral as a centre of excellence should be fully integrated into the mission and ministry strategy of its Diocese.

    Now, I think that there is a lot of truth behind that comment about why cathedrals (and it is some cathedrals really, not all of them) are feeling rather buoyant at the moment. People are indeed prepared to travel to find good quality worship. Cathedrals often are centres of excellence.

    However I have to admit to getting a little frustrated when people don’t seem to take on board what seems rather obvious to me. Namely that you don’t need to be a cathedral in order to do things well. It seems to me to be stating the obvious to suggest that if churches raised their game a bit (and everyone can improve – that’s the culture we are looking for, not a culture of perfection for there is no such thing) then just perhaps more people would show up. Also, perhaps more people would show up more often (one of the real problems now is that people believe they come to church just about every week when often they actually come just about every third week).

    This isn’t about styles of worship either. A good deal of the attraction that many people have felt to the larger Evangelical churches in the last couple of decades has been about the quality of their worship. There too, people are prepared to travel and are often delighted to find what they are looking for.

    We are often exhorted to do new things in church in order to bring people in. I’ve very, very seldom been exhorted to do old things well.

    However, I’d suggest it is at least as likely to be successful as launching out in new directions for fresh expressions of being church.

    (Or whatever this week’s cliché is).

    Never mind the breadth – feel the quality. It doesn’t have to cost a lot of money either. You don’t need to be loaded as a congregation to seek to up your game.

    You might need to be brave enough to ask the organist who has been murdering hymns for 82 years to retire with grace and honour. You might need to be wise enough to agree shoe tactics with everyone who appears at the front. It might mean changing the way the hymns are chosen and asking regularly what the best ways of getting new material in the list actually are in your circumstances. It might mean working that bit harder on the preaching. (Is there preacher that can’t get better? – I don’t think so). It might mean setting up a worship committee and comparing its budget to the property budget annually. It might mean looking to cathedrals as training resources for the wider diocese in this area – though my most recent attempt to hold a day in St Mary’s for clergy and musicians from around our diocese fell flat on its belly.

    It seems to me that there are all kinds of things that might be done.

    We seem to recognise implicitly in the statements that are made about cathedrals that quality matters. Why do we find it so difficult to commit ourselves to the obvious consequences? What are we frightened of when we think of the words quality and excellence and associate them with worship?

    Are we yet offering all that we are and all that we have?

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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