• Bathsheba, our Sister

    Here’s the sermon I preached on Bathsheba on 27 June 2015

    Sermon preached by Kelvin Holdsworth on 26 July 2015

    It so happens that later today I’m going to be on the television in a short slot on Songs of Praise. Blink and you’ll miss me – it won’t be long.

    From time to time I get the chance to be on both television and radio. And I’ve learned to treat them very differently and prepare what I have to say to suit the medium.

    Generally speaking, I really like doing radio work because, as people often say, the pictures on the radio are far better.

    Its true. Radio is about painting pictures and television is about telling stories.

    And I think Radio and Preaching are very similar, which is why my preaching is very visual. My aim is to get you to see things in your head as I’m speaking.

    And so I find today my own gaze turning over to my left as I look amongst the high windows of the church for one of the protagonists of the Old Testament story which is what I’m going to preach about today.

    For every day, he catches my gaze when I’m over there saying morning prayer and you can’t see him from where you are, so this is going to be like radio with me describing him.

    As I recite the psalms at Morning Prayer, as often as not, I’m looking up at him. David in Stained Glass. High and mighty. Bearded and wise. Colourful. Powerful. Present.

    He’s a familiarly figure to me. As I recite God’s praises using words that he himself wrote, I have him directly in view, God bless him.

    King. Poet. Warrior. And downright naughty but do utterly beloved rogue.

    He’s a complex character. Though peaceful in stained glass. He is portrayed playing the lyre he made music with as a younger man in order to calm King Saul’s insane rages.

    He concentrates on his lyre. Making music. As I look at him I wonder who he makes music for now. For Saul? For Michal his first love. For Jonathan his great love? For Bathsheba his great…. Well, what was it? Was it love? I’m not so sure.

    And as he makes his music up there in stained glass I fancy him hearing us reciting his psalms down below.

    As I gaze up and him, I imagine him gazing down at me.

    But as I look in his direction, I see him dropping the lyre and transported. Transported out of the stained glass and standing on a balcony on a rooftop.

    And he’s not looking down at me, he’s looking down at someone else entirely. Yes. Bathsheba on her own roof taking what she suspects is a private bath.

    And we’ll leave him there for a moment. Gazing. Desiring. Lusting after another man’s wife.

    And we’ll think about her.

    It suddenly occurred to me on Friday that though I’m relatively used to seeing David depicted in stained glass, it is at least interesting that we don’t have a corresponding picture of her. She’s a significant figure in her own right in the events that were to follow today’s story.

    Is it, I wondered, that we are prepared to forgive him in our collective memory and put him in stained glass simply because he is a man. She, the floosy, not so much.

    I’m not sure.

    Anyway, on Friday morning, I decided to take a look around the known world for Bathsheba and see if I could work out what she looked like. Now, google has an image search these days. You put in a search term and instead of giving you links, it gives you pictures.

    So, into the search box, I typed Bathsheba’s name and pressed the button and immediately was taken aback by what I saw.

    Immediately, I encountered the flesh.

    Picture after picture of a rather voluptuous figure.

    Breasts bare. Rising from baths, fountains, bathing ponds.

    Curiously, she seemed rather pale and western looking. I fancy that her peely wally skin wouldn’t survive terribly long on the beach at Saltcoats, never mind on the rooftops of Jerusalem.

    But the overwhelming impression was the sheer amount of bare flesh.

    And somewhere in most of the pictures, King David casting a sly eye over what was on offer to him in the heat of the day.

    My mind boggled at the ogling. It was as though google had suddenly become booble.

    And I realised in an instant that we are very used to reading the story of Bathsheba from King David’s point of view.

    We are used to reading the story of Bathsheba from King Patriarchy’s point of view. Where women are to be goggled at and ogled at. And owned and taken and possessed.

    As I looked at all these medieval manuscripts and more recent paintings containing all these naked Bathshebas I realised that I was seeing transmission of the male gaze through time.

    So many monks in scriptoriums painting saucy Bathsheba in the margins and passing the books down from one to another through the ages. What fantasies she must have conjured up just from reading the story.

    And remember we had a story a couple of weeks ago of David leaping about in the dance and losing his clothes. But guess what, there are far more bare Bathshebas in the manuscripts and far, far fewer naked Davids.

    Women and men are not equal in our tradition.

    And once you see such inequality you can start to make the tradition change. (Because that’s what traditions do – they change surprisingly often when people want them to).

    I’ve often said that that by a long way, the greatest change that the Scottish Episcopal Church has made in relation to marriage was to produce a liturgy a few years ago where the two participants were equals. A man and a woman getting married in our modern tradition are married as equals and it is a huge lurch away not only from biblical tradition and Victorian traditions of human relationships with which I sometimes think we are obsessed.

    This morning’s gospel was the story of the feeding of the five thousand. Well, I think it was the story of the feeding of the five thousand and one. Or five thousand and two. Or five thousand and three.

    For what it is trying to tell us is that there is always room for another at the picnic.

    (And that’s a metaphor for heaven by the way).

    As we re-read the stories of old, we need to read them from different perspectives and I want you to try to read the story from Bathsheba’s point of view this morning.

    Manipulated by a powerful man who then murdered her husband in order to take control of her. And then ogled through the ages by churchmen who should have known better.

    We must listen to her, for women are trafficked seemingly more and more. Too many are treated as things rather than people because they don’t measure up to the false expectations of patriarchy. Those with power in their hands still refuse to help us build a world based on fairness and human dignity for everyone.

    So, I invite you to think again about Bathsheba. Let her prompt your prayers this week. There’s room for her at the heavenly picnic. And it is time her experience is listened to.

    And in case you were wondering, there’s room for you too.

    Amen.

10 responses to “Advertise, advertise, advertise!”

  1. Matt Hanson Avatar

    Good writing. Keep up the good work. I just added your RSS feed my Google News Reader..

    Matt Hanson

  2. Eamonn Avatar
    Eamonn

    How naff can you get? It was worth listening to a professional advertiser’s comments on the Lichfield advert on the Sunday programme on Radio 4.

  3. Gavin Drake Avatar

    Adverts that make people in the church feel comfortable are likely to be completely irrelevant to people outside the church. As the instigator and creator of the Lichfield football adverts campaign I stand by them – they did what we wanted them to do. We had a target and we achieved that target. The professional advertising chap on Radio Four was anti the adverts; but he was also anti the entire Christian message as a self-proclaimed militant atheist. His best effort? “Life” – which is a campaign he created for the Billy Graham missions 20 years ago. Hardly creative (now, 20 years on) nor fresh. His message was that the church should get rid of Jesus, God and all the “after life” stuff and concentrate on making people feel good now.

    One final thought, in this blog entry aren’t you demonstrating the Christian Christmas grumpetyness which you appear to be criticising in others?

  4. kelvin Avatar

    Thanks for your comments Gavin.

    You are quite right about my grumpityness though I was not particularly being critical of it in others. Indeed, being able to rely on other people’s grumpityness is one of the things which has ensured a lot of exposure for the CAN ads, for example, the Bad Hair Day campaign and the Meek, Mild As If one. It was the (mock?) outrage of the christian community that got those ads talked about.

    I’m a fan of what the CAN do, which I perhaps did not make clear in the above blog entry.

    I’d be interested to know what the target was and how achieving it was measured.

    I have to confess to feeling embarrassed by the Lichfield ad but then of course, it was not aimed at me.

    I also commented about past CAN campaigns here and here.

  5. Kennedy Avatar
    Kennedy

    Having listened to the CAN adverts, I am left asking what the message was and who was the target audience? If the intention was to familiarise the audience with the characters and motifs from the Christmas story then OK, but there is more that could be said in the time.

    You’ll permit me a small plug for the stuff that GRF produce.

    Have a listen:

    http://smallvoice.org.uk/wp-content/uploads/2008/09/01-ms-christianity.mp3

    Yes, this uses the style of the M&S ads but I think that it communicates something about the Christian message and in a form that a non-church person could relate to.

    The judges at the Jerusalem Awards seemed to like it as they awarded it the premier award in the ‘Shorts’ category at their awards ceremony last week.

    If you are looking for creative audio to use in churches or schools then have a look at http://www.audiopot.org.

    Kennedy

  6. kelvin Avatar

    Thanks Kennedy. I like the M and S Ad. Very clever. I always like hearing Albatross (the music underneath) because it reminds me of someone I knew a long time ago who used to play it (on large pipe organs) during communion.

    One of the drawbacks of the ads that I was speaking about above is that they all depend on knowing the Christian story. That is perhaps legitimate in a Back to Church Sunday as it is presumably aimed at folk who have gone away knowing something or other.

    The line about the penalty does kind of imply that substitutionary atonement is what we believe though.

    The Lichfield ad certainly got a lot of coverage and if that was the intention, it succeeded.

  7. Elizabeth Avatar
    Elizabeth

    I must admit I found the racing advert amusing. The football ones leave me cold. Aside from issue about inclusivity and dubious theology, I think living in Glasgow has made me very wary of any connection between religion and football.

  8. Coxy Avatar

    I think that the football one is excellent, as does my wife (and she can’t tell the difference between Liverpool and Arsenal – I guess they do both play in red though!). How is it not inclusive of men and women? As I see it there is good build up play from Mary and Joseph before Jesus scores…

  9. kelvin Avatar

    Hi Nick

    I’ve just rescued your comment from a spam filter – don’t know why it got swallowed.

    At St Mary’s we tend to avoid language like “men” where what is really meant is men and women, “mankind” when what is meant really is humanity etc

    This affects things like the language we use for hymns.

    We’d never sing, “Brothers, this Lord Jesus, shall return again” for example. In a mixed crowd it just seems rude.

    There is an ongoing degate about how far to go with this policy but by and large, language inclusive of men and women is the norm at St Mary’s and exclusive language tends to jar and be distractive when you’ve got used to more inclusive language in church. Thus the ad is something we couldn’t use because of the use of the word “man” meaning something other than just men.

  10. ryan Avatar
    ryan

    The term “banter”, as featured in the ad, should also be used by no-one anyway (and only partly because of Chewing the Fat). O the amount of people that have endured abuse and had it expained away as “just banter”.

    Wondering if “male” ads like this are ok if one also does female-centered advertising, or if the whole idea is hoary sexism. St.Silas does a Women 4 Women thing which I believe is popular. No Men 4 Men though.

    Hope I’m immune from the st.silasite ensnaring spam filter
    ;-).

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Posts

  • Committee of Canons – Canon 62 – Of the Retiral of Clergy

    Second reading is asked to make retirement procedures the same for stipendiary and non-stipendiary office holders. Jeremy Auld presents the new amendments. Reference to pensionable age has been removed.Canon is without prejudice to the right to retire earlier. The retirement age of 70 is not new. It is currently there in canons. But the main…

  • Motion 3 – proposed and passed.

    allowing people elected to Standing Committee to remain on Committee even if their synod membership lapses. It is passed nem con.

  • Synod Papers available online

    Synod papers can be downloaded here: http://www.scotland.anglican.org/index.php/news/entry/2011_general_synod/