What is in Kelvin's Head?

  • Back from hols and quick theatre reviews

    beckettsmall
    I’m back to work at St Mary’s today after a post-Christmas (well, post-Epiphany) week off. I’m writing this at the point just before I go into work, say morning prayer and open up the emails that have come in to me whilst I was away.

    It has been a busy week. I managed to fit in a trip to Yorkshire to see family and a wee theatre trip to London.

    Here are a few quick theatre reviews of what I saw.

    • Matthew Bourne’s Swan Lake at Saddlers Wells – by some distance the most exciting thing I saw. I’ve come rather late to this one but loved it. (Except the ending which reminded me of Brokeback Mountain – how often gay couples only end up together when they are dead).
      Rating: ★★★★★
    • Ghosts at the Trafalgar Studios – A very good production of this Ibsen play though I was surprised when I got in that I’d already seen a strikingly similar production of the same play at the Citz a while ago. Outstanding question – why did the maid and her father sound as though they came from Govan when they were supposed to be rural Swedes?  Apart from that, all made sense and this was quite gripping.
      Rating: ★★★★☆
    • Not I, Footfalls and Rockaby – the Beckett trilogy at the Royal Court. This was the one I booked in advance and indeed the one that prompted me to book the trip. A rare chance to see Not I, not least because of how difficult it is – the actor hangs upside down on the stage and delivers a monologue “at the speed of thought” whilst the only illumination in the whole theatre is a tiny pencil spotlight on her lips. This was chilling, fascinating theatre that plays with your mind.
      Rating: ★★★★½
    • From Morning to Midnight – a German expressionist piece at the Royal National Theatre. Brilliantly done. But should it have been done? I was far from sure. Reminded me of that terrible production of the Seven Deadly Sins that Scottish Opera did a few years ago.
      Rating: ★★★☆☆
    • Mojo – a relatively new play at the Harold Pinter Theatre. This one didn’t work for me at all – far too shouty. Odd that the people in the stalls seemed to think it was hilarious and those in the Royal Circle didn’t. How does this happen?
      Rating: ★★☆☆☆

    Not a bad trawl. Add to that three big sung services in musical churches in London, a hour or so looking at favourite things in the National Gallery, some good food and good company and you’ve got a flavour of what I was up to.

    I was in London for three nights, by the way and managed to come back without blisters.

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14 responses to “Liturgical sadness”

  1. Robin Avatar
    Robin

    Has anyone else been following the series in ‘The Tablet’ taking the Latin Sunday Collects from the Roman Missal (Ordinary Form), printing alongside them the official English translations and then commenting on the Collects?

    The effect the series has on me is not what was intended. I spend much of my time being puzzled and irritated by the looseness of the translations from the Latin – words and phrases left out, new ideas included, and sometimes translations which are at best a paraphrase.

    The point of mentioning this is that what I’ve seen of the new English translation of the Roman Mass is undoubtedly more faithful to the Latin, which is, after all, the definitive form.

    This will be important to some and, I expect, an irrelevance to others. However, an ecumenical gesture we could make (pause for breathtakingly unpopular suggestion!) would be to incorporate the new relevant parts of the new translation in our own Liturgy. That really *would* show ecumenical goodwill.

    Reply
  2. David |Dah • veed| Avatar
    David |Dah • veed|

    “…the Latin, which is, after all, the definitive form.”

    That is certainly debatable. I fail to see that the purpose of the liturgical reforms of the 70s and 80s which resulted in many new liturgical books for most major denominations and prayer books for Anglicans, was to get us all back to the Latin Mass.

    Rome has pretty much cut the rest of us “free” so to speak, as irredeemable for all the heresies of women’s ordination and now GLBT ordinations and same sex blessings, and I am fine with that. I would not go anywhere near the Tiber, but I share Kelvin’s sense of loss of something we pew sitters shared around the world.

    Reply
  3. Robin Avatar
    Robin

    Just to clarify, when I wrote “…the Latin, which is, after all, the definitive form” I meant that it was the definitive form for Roman Catholics.

    Reply
  4. Ritualist Robert Avatar
    Ritualist Robert

    Vicky wrote: “… it is unlikely new conversion areas such as China would find Latin accessible.”

    A Roman friend of mine who probably would know said to me the other day that the Catholics in China use the Latin mass because they missed out on the reforms of Vatican II. Does anybody know if this is true?

    I went recently to a Latin mass here in Sydney with the same friend and most of the servers and the priest were from Vietnam … and a good deal of the back-to-the-future seminarians one sees at the papist cathedral seem to be Korean … so I am not sure that the formality of the Latin mass, or a more formal English one will put off Asian converts.

    It’s a pity that the ecumenical implications of this translation exercise haven’t been pondered a bit more.

    Reply

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