• Culture Catch Up

    I’ve been on annual leave for the last week. It was my (rather late) post-Christmas break. Just after Christmas, I didn’t want to be away from either home or St Mary’s, probably due to having just come back from my three-month sabbatical. Hence, I put off taking time off until now.

    This year I threw myself into a culture catch-up with a wee trip to London.

    Here are the scores on the doors:

    Takin’ Over the Asylum at the Citz in Glasgow – solid reworking of a good TV series for the stage Rating: ★★★½☆

    La Traviata at the Coliseum
    – all done with curtains. The curtains open to reveal a set of curtains, which in turn are pushed apart to reveal a set of curtains, which in turn…. All in all a rather good postmodern interpretation. Then end worked well. You need a good seat for this one. Some of the action happened amongst the audience. Rating: ★★★★½

    Cocktail Sticks – a new piece by Alan Bennett about his parents. Made me laugh. Made me cry. Rating: ★★★★☆

    This House – an enormous new play by James Graham about the politics of the 1970s and 1980s. In other words, a play about the politics that I first remember. Rating: ★★★★☆

    Merrily We Roll Along – The Play. This was a mistake. Booked it at the last-minute thinking I was booking Merrily We Roll Along the Musical. The play is incomprehensible, particularly so in a rehearsed reading. This was a rehearsed reading. Lasted until half time. Rating: ★☆☆☆☆

    People – another new play by Alan Bennett. This one had the wonderful Frances de la Tour being an imperious old aristocrat. It also had an actress, a bishop and enough trouser-dropping to prove that farce has not died just because Brian Rix is no longer in charge. It is not Alan Bennett’s greatest work but greater than so many other people’s greatest work nonetheless. Rating: ★★★½☆

    Ice Age Art – the Arrival of the Modern Mind at the British Museum. This one is selling out every day – you need a timed ticket to get in. Fascinating, beguiling show of bits and bobs from Europe made by people we know so little else about. Enigmatic “venus” figurines and a ghostly puppet were my favourites. Rating: ★★★★☆

    Light Show at the Hayward Gallery. From prehistoric art to the art that depends on the technology of today. (I think we can be pretty sure that none of this will be around in 27000 years). An interesting show. Would perhaps have felt spiritual and holy if one had had the chance to go around it alone. As it was, there were too many other people. (Which was the theme of one of the Bennett plays above, oddly). Rating: ★★★☆☆

    Oh, and I met one or two people I know and one or two I know now.

    There we go – not a bad week all told. Four and a half plays and two big art shows. Oh, and I also worshipped last Sunday in a small congregation in the West End (just 19 of us gathered right where London’s heart beats strongest) and at Westminster Abbey on Tuesday evening for a gorgeous Evensong with dozens in the cast and hundreds in the congregation.

    God was present in both these services.

    And in the rest, I’d say.

    Quite a lot of dashing about, not least as I was only in London for three nights.

    And that’s what I did on my holidays. Rating: ★★★★★

14 responses to “Liturgical sadness”

  1. Robin Avatar
    Robin

    Has anyone else been following the series in ‘The Tablet’ taking the Latin Sunday Collects from the Roman Missal (Ordinary Form), printing alongside them the official English translations and then commenting on the Collects?

    The effect the series has on me is not what was intended. I spend much of my time being puzzled and irritated by the looseness of the translations from the Latin – words and phrases left out, new ideas included, and sometimes translations which are at best a paraphrase.

    The point of mentioning this is that what I’ve seen of the new English translation of the Roman Mass is undoubtedly more faithful to the Latin, which is, after all, the definitive form.

    This will be important to some and, I expect, an irrelevance to others. However, an ecumenical gesture we could make (pause for breathtakingly unpopular suggestion!) would be to incorporate the new relevant parts of the new translation in our own Liturgy. That really *would* show ecumenical goodwill.

  2. David |Dah • veed| Avatar
    David |Dah • veed|

    “…the Latin, which is, after all, the definitive form.”

    That is certainly debatable. I fail to see that the purpose of the liturgical reforms of the 70s and 80s which resulted in many new liturgical books for most major denominations and prayer books for Anglicans, was to get us all back to the Latin Mass.

    Rome has pretty much cut the rest of us “free” so to speak, as irredeemable for all the heresies of women’s ordination and now GLBT ordinations and same sex blessings, and I am fine with that. I would not go anywhere near the Tiber, but I share Kelvin’s sense of loss of something we pew sitters shared around the world.

  3. Robin Avatar
    Robin

    Just to clarify, when I wrote “…the Latin, which is, after all, the definitive form” I meant that it was the definitive form for Roman Catholics.

  4. Ritualist Robert Avatar
    Ritualist Robert

    Vicky wrote: “… it is unlikely new conversion areas such as China would find Latin accessible.”

    A Roman friend of mine who probably would know said to me the other day that the Catholics in China use the Latin mass because they missed out on the reforms of Vatican II. Does anybody know if this is true?

    I went recently to a Latin mass here in Sydney with the same friend and most of the servers and the priest were from Vietnam … and a good deal of the back-to-the-future seminarians one sees at the papist cathedral seem to be Korean … so I am not sure that the formality of the Latin mass, or a more formal English one will put off Asian converts.

    It’s a pity that the ecumenical implications of this translation exercise haven’t been pondered a bit more.

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