• Culture Catch Up

    I’ve been on annual leave for the last week. It was my (rather late) post-Christmas break. Just after Christmas, I didn’t want to be away from either home or St Mary’s, probably due to having just come back from my three-month sabbatical. Hence, I put off taking time off until now.

    This year I threw myself into a culture catch-up with a wee trip to London.

    Here are the scores on the doors:

    Takin’ Over the Asylum at the Citz in Glasgow – solid reworking of a good TV series for the stage Rating: ★★★½☆

    La Traviata at the Coliseum
    – all done with curtains. The curtains open to reveal a set of curtains, which in turn are pushed apart to reveal a set of curtains, which in turn…. All in all a rather good postmodern interpretation. Then end worked well. You need a good seat for this one. Some of the action happened amongst the audience. Rating: ★★★★½

    Cocktail Sticks – a new piece by Alan Bennett about his parents. Made me laugh. Made me cry. Rating: ★★★★☆

    This House – an enormous new play by James Graham about the politics of the 1970s and 1980s. In other words, a play about the politics that I first remember. Rating: ★★★★☆

    Merrily We Roll Along – The Play. This was a mistake. Booked it at the last-minute thinking I was booking Merrily We Roll Along the Musical. The play is incomprehensible, particularly so in a rehearsed reading. This was a rehearsed reading. Lasted until half time. Rating: ★☆☆☆☆

    People – another new play by Alan Bennett. This one had the wonderful Frances de la Tour being an imperious old aristocrat. It also had an actress, a bishop and enough trouser-dropping to prove that farce has not died just because Brian Rix is no longer in charge. It is not Alan Bennett’s greatest work but greater than so many other people’s greatest work nonetheless. Rating: ★★★½☆

    Ice Age Art – the Arrival of the Modern Mind at the British Museum. This one is selling out every day – you need a timed ticket to get in. Fascinating, beguiling show of bits and bobs from Europe made by people we know so little else about. Enigmatic “venus” figurines and a ghostly puppet were my favourites. Rating: ★★★★☆

    Light Show at the Hayward Gallery. From prehistoric art to the art that depends on the technology of today. (I think we can be pretty sure that none of this will be around in 27000 years). An interesting show. Would perhaps have felt spiritual and holy if one had had the chance to go around it alone. As it was, there were too many other people. (Which was the theme of one of the Bennett plays above, oddly). Rating: ★★★☆☆

    Oh, and I met one or two people I know and one or two I know now.

    There we go – not a bad week all told. Four and a half plays and two big art shows. Oh, and I also worshipped last Sunday in a small congregation in the West End (just 19 of us gathered right where London’s heart beats strongest) and at Westminster Abbey on Tuesday evening for a gorgeous Evensong with dozens in the cast and hundreds in the congregation.

    God was present in both these services.

    And in the rest, I’d say.

    Quite a lot of dashing about, not least as I was only in London for three nights.

    And that’s what I did on my holidays. Rating: ★★★★★

7 responses to “Eucharistic Prayer”

  1. Stewart Avatar

    Another great clip Kelvin – The singing is great.

    I found myself singing along with the Santus and Benedictus.

    Please more of the service. The cathedral always sounds great when the a large congregation is being supported by the organ. The snippet of “All people that on earth do dwell” to the tune of Jerusalem on the BBC website leaves me wanting more.

  2. ryan Avatar
    ryan

    Yeah, I think ours are the best (although I heard New Zealand’s are lovely too). Who actually writes these things? The then-bishops themselves? Artistic clergy? I can see why they would want them to be written in house but (personally) I think it would be great , in the future, to approach notable writers/poets to do them (Edwin Morgan!) irrespective of belief, and have them checked for theological accuracy by someone appropriate.

  3. Caron Avatar
    Caron

    Do you know, I always thought the 1970 Liturgy was best and I couldn’t come to terms with the modern stuff. I might be more open to persuasion than I thought.

    The atmosphere at the service must have been wonderful and it does come across in the video clip.

    As for the angel – thank you so much for having that attitude to a baby. Others are not so tolerant.

  4. John Penman Avatar
    John Penman

    Totally agree on the excellence of the modern Scottish Liturgy. Having had to suffer the Roman Rite and the ASB when working in Englandshire and occassional exposure to Common Worship (which is both), it was nice to come back to what was/is “simply the best”. Being picky tho, we took a wee while to get there: 1982 was the 1st Eucharistic Prayer – the other 4 were authorised in 1990! Like Caron I was a 1970 fan, but exposure to the Blue Book has made it much more “home” for me.

  5. Eamonn Avatar
    Eamonn

    I agree that the 1982 Liturgy is unbeatable. Every time I visit the C of E or the C of I, the liturgies used seem (with respect) to have yawning gaps in them.

    Caron, the 1970 Liturgy has strengths if you want the underlying theology spelt out in propositional statements. The 1982 service more often expresses the theology through imagery, which to some of us speaks more eloquently. As it happens, a bishop who is a published poet was involved in the drafting.

  6. MadPriest Avatar
    MadPriest

    “Now, what do you want next”
    Have you got any Simpsons, or maybe an early Torchwood episode?

  7. Thomas L W Graham Avatar
    Thomas L W Graham

    Just visiting these sites for the first time. What a wonderful innovation to include all these video’s and sermons etc on the web. Hope the enclosed donation is of some assistance.

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