• Chant Matters – Compline at St Mark’s Cathedral, Seattle

    I’ve been to some interesting services in the last few weeks. None more so than going to Compline at St Mark’s Cathedral in Seattle recently.

    Now, Compline at St Mark’s is pretty famous. For over fifty years, a men’s choir have been singing Compline (which is a service of late night prayer) on a Sunday evening. It happens just about every week and is a very beautiful thing indeed. Imagine the King’s Singers with about 30 members and you are not wide of the mark. The service is broadcast on local radio in Seattle and has been since 1962 and is now available on the internet.

    The trouble is, gorgeous though the music is, and it is very gorgeous indeed, hearing it is no substitute for being there. For Compline at St Mark’s is one of the great spiritual experiences that this world offers not simply because of the music. You can, if you are minded, experience lovely choral music in lots of places. My own congregation offers Choral Evensong on a Sunday evening  and very wonderful it is too. There are lots of places which do the same. You can even find Compline in various degrees of gorgeousness in all kinds of other places. No, what makes it special at St Mark’s is the crowd.

    You see at St Mark’s, they get hundreds turning up. The service takes place at 9.30 pm and lasts half an hour. Most of the crowd are in place quite a while before the action begins. And those hundreds are young. The majority looked to me to be less than 25 and I’d guess that there were 500 there on Sunday evening, maybe more.

    Think about that. Five hundred people on a Sunday evening, mostly young. I know there are churches in the UK who can get those numbers but generally they are few and far between and generally speaking they are not offering Compline.

    They don’t just sit either. They sprawl. They lie down. Some bring blankets. They inhabit the sanctuary and lie flat on their backs. They loll.

    The only movement in the service comes at the Creed when everyone leaps up and stands as they are able facing liturgical East. As they rise it looks like a scene from a Stanley Spencer picture. The dead rise. They stand for the creed.

    Then they loll once more.

    I found myself thinking that I had never seen anything like it until I remembered that I had. It was all rather like that wonderful Weather Project that was in the Turbine Hall at Tate Modern a couple of years ago where they put mirrors on the ceiling and hung a large sun in the air. People laid on the floor there and gazed up to the mirrored heavens. Now though there were no mirrors, the Cathedral of St Mark, Seattle is rather reminiscent of the Turbine Hall at Tate M. Except that the cavernous Turbine Hall has a good deal more charm.

    St Mark’s looked to me to be as ugly as sin though it was considerably improved by scores of lolling, youthful bodies.

    That’s part of the puzzle about this Compline. Who are those young people and why do they come? No-one seemed to really know. They did not strike me as being people who generally attach themselves to any other form of organised religion.

    That service breaks almost (and that almost is important, as we shall see) rule in the How to Attract Young People Big Book of Church Growth.

    The building is as close to hideous as makes no odds.
    The choir sing from behind a pillar and can’t be seen.
    You don’t get a service sheet on the way in. You don’t in fact get anything.
    The service is uncompromisingly old fashioned.
    The service is based around Plainsong Chant.
    There are no guitars. Not one.
    It is unaccompanied by anything.
    You don’t get to do anything.
    You don’t sing.
    You don’t speak.
    You don’t engage.
    You don’t form community.

    And still they come. Hundreds of them. Every week they come.

    Of course, there is one rule that they don’t break – there is a sense of mystery and awe and wonder about the whole thing. And there is beauty.

    If I am coming to any conclusions about what churches need to develop in order to attract people, emphasising mystery, awe, wonder and above all beauty would be right up there high on the list.

    I’m still processing what I saw when I went to St Mark’s. I’ve also a lot to think about from other places that I’ve been, about which there will no doubt be more later.

    For now though, imagine 500 mostly young people sprawled out in church; in your church if you like, many lying around the altar.

    Who told them they could do that in St Mark’s?

    Who tells them they can’t everywhere else?

8 responses to “More sermons”

  1. ryan Avatar
    ryan

    Listened to one of the sermons (the wife for Isaac one) and it struck me that the one thing all proper episcopal preachers that I’ve heard have in common is an attractive voice. Is this taught at theological college, or are prospective ordinands vetted, Simon Cowell on X Factor style?

  2. kelvin Avatar

    You are too kind Ryan. And the idea that people at theological college should be taught anything to do with preaching is delightfully charming.

  3. morag Avatar

    just read the kingfisher sermon,you really do have a beautiful way with words and imagery.I believe God is with us every day.I was walking with my dog in Kelvingrove park the other night and in the pond standing quite still and majestic was a large heron.He looked magnificent but nobody else seemed to notice they just walked on by.God is definitely in my local park,Victoria.There is a sort of semi wild section of large yellow Peace roses there and their scent is truly heaven “scent”I love to sit theredrinking it in and have quiet thoughts with God.This web page you have is truly unique and it is wonderful to come across someone in the church who so obviously has a living ,loving relationship with God

  4. David |daveed| Avatar
    David |daveed|

    And the idea that people at theological college should be taught anything to do with preaching is delightfully charming.

    May I beg to differ, at least for this side of the pond.

    Both of the seminaries which I attended in the USA, had a department with professors dedicated to teaching homiletics & worship. At Perkins School of Theology, SMU, we took two required semesters, which included writing weekly sermons to be delivered in class for critique by both professors and classmates. Each semester we also had three sermons which were videotaped at staggered points in the class for us to be able to witness and have record of our own improvements.

    I was even asked to preach one of my three in my native Spanish and was critiqued by the hispanic community, staff & students at Perkins.

    Preaching and Worship are pretty standard fare at seminaries in the USA & Canada.

  5. kelvin Avatar

    My apologies, David. I’d forgotten that we had gone global.

    I would say that I learned a lot about liturgy and worship during my training, much of it from other students. I don’t think there was much more than 15 minutes devoted to homiletics in all my training.

    I think that the theory was that this would be done whilst on placements in congregations. Although one can learn a lot in such placements, I think that preaching is something that everyone can always learn to do a bit better and that the church should not be shy of trying to teach.

  6. ryan Avatar
    ryan

    I’m always curious as to whether preachers write out a full script of a sermon, actor giving a reading style, or if there is an element of improvisation. A 60 minute sermon,at average speaking speed, works out at 6,000 words which is surely a lot to write out in full each week.And what happens if there are pastoral crises that prevent completing the writing of a sermon? Do you guys have a folder of back-up material for such occasions? Are you allowed to plagiarise or is that a big a vice as it is in academia?

  7. kelvin Avatar

    Thanks Ryan. Those are good questions.

    First of all, no-one in their right mind preaches for 60 minutes in the UK, do they? I think you will find on listening to mine that you get about 12 minutes. I think that if you are a regular preacher and you can’t say what you want to say in St Mary’s in 15 minutes you’ve probably started to preach next week’s sermon a week early. My recent one about dating strategies was just over 10, and there was a lot packed in!

    The readings that we use come round in a three year cycle so quite often one may have as a starting point what was said three years ago or six years ago. Using a common lectionary also means that a lot of people are preaching on the same thing at the same time and there are a lot of websites with emergency resources and other people’s ideas.

    I’d say that most preachers use other people’s ideas. Often it is nice to acknowledge them. Since putting all mine online, I’d say that I use other people’s material much less. I do sometimes use things that I’ve used before and in other contexts. If it was worth saying once, it might be worth saying again. Again, however, putting it online makes that kind of thing more risky now. They might have heard the jokes before.

    In a good week, I will have been thinking about the lectionary readings all through the week even through the pastoral events that come along. They feed into it somehow.

    Lots of my influences come from people I encountered when I was reading Divinity at St Andrew’s University. At the time I learned a lot from a prominent feminist theologian and have since learnt the importance of the Liberation Theologians that people were trying to get me to appreciate. At the time, it bored me silly. Now it is the stuff of life.

    They key is to develop a range of ways of reading the Bible. A repertoire of styles.

  8. David |daveed| Avatar
    David |daveed|

    Ryan, there are many styles, and we all have to find which of them is a best fit for us personally. I know a few who preach from the barest of notes on a 3 x 5 card. Others who read verbatim from a type written manuscript. I think the majority of us type a manuscript and refer to it, however, certainly not slavishly, leaving room to expand or alter “as the Spirit moves.”

    The axiom I was taught by both John Holbert and Marjorie Procter-Smith was that if you preach more than 15 minutes, you do not know what you are talking about.

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