• Sermon preached on Radio 4 for Feast of St Mungo

     

    He quite took me by surprise as I walked down the high street.

    A friend of mine. Wearing a beanie hat and a beard. A sweatshirt and a casual jacket. But holding out his hand, on which was perched a robin.

    I was absolutely sure it was someone I know. He looked just like him.

    He was the spitting image of my friend. But larger than life. Quite a bit larger than life in fact.

    His face filled the side of the end gable of one of Glasgow’s tenements.

    It was a new mural that I hadn’t seen before. One of a number of striking images that have been appearing around the city centre.

    I went on my way and later on phoned the friend whom I thought I had recognised in the mural.

    He denied posing for it and said it was nothing to do with him at all though he did admit to having had several calls that week from people who thought it was him.

    “But do you know who it is supposed to be?” he asked me.

    I looked again at a picture I had taken of the mural on my mobile phone. For the first time I saw that there was a round circle behind the figure’s head in a slightly different colour to the rest of the background.

    I realised it could be a halo.

    And thinking about where it was, just down the High Street from the place where the city was founded, I managed to put two and two together. I realised it was Mungo and the robin in the mural was the one that he purportedly brought back to life as a child. It had belonged to Mungo’s uncle St Serf who had taken in him and his mother when they were on the run from her violent father.

    Right there on the street was St Mungo. Looking just like a friend of mine.

    At this time of year, Glasgow remembers its founder and its patron saint. The thirteenth of January is his feast day. And so we call him to mind with thanksgiving today and join our prayers with his, praying for the wellbeing of the city and giving thanks for the impact that he made upon those around him.

    Whenever we remember Mungo’s feast day, there are two things that I always bring to mind which make me love him.

    The first is his name and the second is the way he died – so different from the way many saints seem to meet their end.

    I love the fact that 1400 years or so after he lived, we still know Kentigern by his pet name. And a name which tells us a great deal about him.
    He received his affectionate name from his uncle.  But it was the common people who popularised it and used it in remembering him.

    Mungo doesn’t mean the loving one. It means the loved one.

    The Christian faith isn’t about being good, it is about being loved.

    Christians believe that the love we have for one another is just one of the many ways we have of experiencing the love of God, and I think I dare to tell people that they are loved because I know that I am utterly loved by God.

    Mungo’s name reminds us that ….

    • for all the legends of his mission – founding the city here and the diocese of St Asaph in Wales,
    • for all the Christian work he did– setting up a mission centre in what we call Dumfriesshire and evangelising Galloway,
    • for all the church politics he was involved in – establishing churches and monasteries all over the place

     

    Notwithstanding all these things, he was remembered primarily with a nickname that tells us that love was at the centre of his life.

    CHOIR + ORGAN

    ANTHEM:  Thy Perfect Love (Rutter)

    Words: 15th Century / Music: John Rutter

    Text:  Thy perfect love
    Jesu, my love, my joy, my rest,
    Thy perfect love close in my breast
    That I thee love and never rest;
    And make me love thee of all thinge best,
    And wounde my heart in thy love free,
    That I may reign in joy evermore with thee.

    The gift of being able to receive the love that is offered to you on this earth is just as precious as the love that you offer to anyone else.

    The other thing that I love about Mungo is the way he died.

    Not for him the way of martyrdom. He didn’t die by the sword. He didn’t die in battle. He didn’t die being persecuted. There was no blood. There was no gore.

    Mungo is said by those who told his legend to have died in his bath – surrounded by friends.

    And that little detail of Mungo bathing may tell us something about his affinity with Roman custom. For the Romans had built baths round here during their occupation and Mungo was said to have visited Rome seven times.

    Various miracles of his life are told in this city, as well as the story of the robin. Of a fire he miraculously rekindles with a hazel branch. Of the miraculous catch of a salmon in the Clyde with a wedding ring in its mouth that cleared the name of a falsely accused local queen.

    But perhaps we should remember Mungo for greater miracles and ones we can share in – being loved and being a friend.

    Mungo was a great traveller and clearly cultivated friendships with those whom he met. He was much loved by St David in Wales and his fame was such that St Columba came visiting.

    When they met, it is said that they “hastened to unite in mutual embraces and holy kisses, and having fattened themselves first with a spiritual feast of divine words, they afterwards restored themselves with bodily food”.

    It isn’t difficult to imagine them relaxing over food and conversation at the end of the day – their common task of building the church giving them an instant and enduring bond of friendship and affection.

     

    When I want to relax at the end of a long day, I go to a local institution built in the same year that this cathedral was in 1871. It is a local Victorian swimming club. I swap the soaring arches, stained glass and Minton tiles of this building for the soaring arches, stained glass and Minton tiles of the Arlington Baths Club and relax in the heat of the Turkish bath and chatter with friends about the events of the day.

    And when I’m there this week, I’ll spare a thought for Mungo, founder of this great city, taking to his bath with friends all around him.

    And I’ll give thanks for the great twin miracles that seem to have been part of his life. The miracle of friendship and the miracle of being loved

    In the name of the Father and of the Son and of the Holy Spirit Amen.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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