What is in Kelvin's Head?

  • What institutional homophobia looks like

    Here’s a quick example to illustrate what institutional homophobia looks like.

    Yesterday the report of the Theological Forum of the Church of Scotland to the General Assembly was published and it deals with a number of issues of interest to LGBT people. (It is well worth a read).

    Amongst the “deliverances” ie proposals to go to the General Assembly from that Forum is this very clear call for an apology to LGBT people.

    The General Assembly:

    Invite the Church to take stock of its history of discrimination at different levels and in different ways against gay people and to apologise individually and corporately and seek to do better.

    What could be clearer? Should the General Assembly apologise for discrimination against gay people it would be a huge and significant moment and very much to be welcomed.

    However, listen to what the Principal Clerk to the General Assembly, the Very Rev John Chalmers of the Church of Scotland said on TV last night about the proposal:

    “What the General Assembly is being asked to do this year  is acknowledge and apologise for some of the harsh things that have been said on both sides of this debate over the last 20 to 30 years and I think the General Assembly will readily want to do that.”

    This is very clearly not what the General Assembly is being asked to do.

    This is a good example of institutional homophobia. In describing a call to apologise to gay people, gay people and their supporters are represented as being people making statements for 20 or 30 years which need to be apologised for.

    I don’t believe that John Chalmers is a homophobe. Just the opposite. I’m quite sure that he is charming to gay people and I suspect he wants the church to accept gay people. However, put in a public position to explain a proposal to apologise for discrimination he gets it very wrong.

    I have no doubt that there are huge institutional pressures on him over this issue and that is why he speaks as he does.

    However, this looks to me like a very clear example of what institutional homophobia looks like. Institutional homophobia seems to come most often from people who are personally supportive of those of us who are gay.

    Ironically, this is the kind of thing that needs to be apologised for.

    We have it in our church too.

    I find that people don’t like me pointing it out.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Posts

  • Special Service for Candlemas

    4.30 pm on 2 February 2013 – Special service for Candlemas with glorious music from the Royal School of Church Music Scottish Voices

  • Coming Out, Coming In, Coming Home

    There’s a new online magazine launched today. It is called Mosaic Scotland, it looks gorgeous and it has an article from me in the first issue. It is classy, sassy and has articles by lots of people I know. This is what I wrote for it: There are not that many months that go by…

  • The Cumbrae Revels

    Here’s some pics from last Saturday. I was on the island of Greater Cumbrae at the Cathedral of the Isles to see its two new canons installed. They are the Dean of that diocese – the Very Rev Andrew Swift and the Provost of St John’s Cathedral, Oban the Very Rev Nicola McNelly. Here they…

  • Sunday’s Sermon

    Many people were kind enough to say encouraging things on Sunday after I preached this. Sadly I’ve got some problems with the video and don’t know whether I can make that appear later. In the mean time, here’s the text: And the eyes of everyone were upon him. In the name of God, Creator, Saviour…