• All Souls

    All Souls Day is a rehearsal for my own funeral.

    I realised this a few years ago when someone commented that the All Souls Requiem at St Mary’s seemed to be a particularly important time of the year and was appealing to more people than it used to. When I sat and thought about it, I realised that what I was doing each year in preparing for it was preparing for my own funeral and that at some level, part of what gives me life and energy at St Mary’s is building a community that would know exactly what to do if I dropped down dead.

    Some people might think that rather morbid but it isn’t. I don’t think that much about death. Keeping All Souls is actually a way of helping ourselves let the dead be dead without fixating constantly about them. After last night’s Requiem for All Souls it simply felt to me that all was as it should be. Those whom we care for had been commended to God’s love, we had prayed alongside one another in our remembering and we had done so in the most beautiful way we could do.

    There are many things about All Souls which touch me. One is the use of the Eucharistic prayer for Easter. That’s what we do whenever there’s a funeral that is a Eucharist too. When someone dies there’s a snatch of Easter Day about the proceedings. In the first light of Easter, glory broke from the tomb, after all.

    Last night’s requiem was sublime. The simple tunes of Rutter’s Requiem taking us on a pastoral journey. We saw that death is real. We saw that grief is raw. And we knew that God is love. The music was incredible – the choir literally singing to raise the dead.

    At least, that’s how it was for me.

    The double Feast of All Saints and All Souls is one that always takes my mind abroad too. I was in Sweden for it one year, the year before I was ordained. My memory is of people going to the graveyards and lighting candles on the graves. A little of the first snow of winter had fallen and there was mist swirling around the graveyard trees as people wandered the quiet pathways thinking about those who had died.

    I remember someone telling me that they always lit candles for their parents and then crossed the graveyard to light another one on the grave of Dag Hammarskjöld – All Saints and All Souls always mingle.

    And then three years ago I was in America at this time of year.

    It seems to me that Hallowe’en has suffered rather at lot in its return trip back across the Atlantic to these shores. It seems now to be an excuse for very poor fancy dress bought from cheap outfitters by people who want to get drunk looking like a pirate or Wonderwoman.

    Rather more interesting in the US these days is the set of traditions that the Latino people bring to this time of year. Some of the solemnity that northern Europeans cultivate when thinking about the dead is challenged by those who want to celebrate their dead with an enormous party.

    This is what this time of year looks like in one of the churches that I visited during my sabbatical – All Saints’ Church in Chicago – a place which knows how to party.

    All Saints Chicago

    In the midst of life we are in death.

    And vice versa.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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