• Sermon preached on 8 November 2015

    We stood at the top of the top of the hill looking down the Clyde looking past Bowling and on towards Dumbarton.

    No ships. No boats. The slight eeriness of the empty estuary.

    “And that’s where the fire was” she said. “The VE day fire”. And over there – behind the house, that must be where the shelter was.

    Earlier this year, I had taken her on a bit of a nostalgia trip. We went back to Clydebank where she grew up and had a look around the house in which her family had lived. It is still there, something which seems remarkable in itself.

    “That must be where the shelter was”. Something about that statement made me start to do the sums in my head to work out how old she was. “But you were only a baby”, I said. You’d been evacuated anyway.

    “No I hadn’t” she said. “I was there. I was in the shelter all night. I was in the shelter and mum, your grandmother held me all night as the bombs were falling. Oh yes, I was there. I was only evacuated to Kilmarnock after that, when the town couldn’t be lived in.”

    I have always been aware that every congregation that I have ever worked in has had people in it who had first-hand experience of war – both recent and in the past. However, I’d somehow never managed to clock the fact that my mother had been there when the bombs were falling. Quite how I’ve made it to nearly 50 without knowing that, I don’t know. But sometimes stories about war come back long after the event and it isn’t unusual I guess to simply not talk about what had happened.

    “Well, who else was there then?” I asked. (more…)

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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