What is in Kelvin's Head?

The Questions

18/04/2015
I’ve just done one of those Knowing Me, Knowing You sessions that I do from time to time that allow members of the congregation to get to know me a bit and ask any questions about who I am and where I come from.

I asked the group for permission to share the questions. Here’s what they asked me.
- How did you get from the Salvation Army to the Scottish Episcopal Church?
- Why were you into politics and why did you leave it behind?
- How has the congregation changed and why?
- What was your curacy like? Were you really in charge of a cathedral when you were a curate?
- Is there a God shaped hole in everyone?
- Do you have a boyfriend?
- Where in Yorkshire do you come from?
- Where in Scotland do you come from?
- Did you come here as Provost?
- What do you mean when you say you hated your training?
- What are the good points and the bad points of being Provost of St Mary’s?
- How do have you used the Maths and Computing skills you got in your first degree?
- Do you want a new cat?
- Where are you going next? And when?
- Do you believe in Predestination?
- Is there space for more razzmataz at St Mary’s?
- Salvation Army vs High Church. Is it very different?
- Prayer? How do you pray?
- How do Bishops and Provosts get on?
- What’s a Canon?
- How do you relax?
- What did Chaplaincy work teach you?
- Where would you like to work?
- Where have you been overseas?
- What TV do you like?
- What’s the difference between the role and the person?
Great questions and as always a really interesting session. I think a lot of congregations would like their rector to do an any questions session from time to time. It is always worthwhile.

Want the answers?

I’m repeating it in September.

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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