• Christians and Jews in Holy Week

    Over the last few years I’ve become much more aware of the things in the life of the Christian church which cause trouble for other people. Specifically, I took part in an interesting symposium a couple of years ago on how Christian preaching relates to Judaism. I learned a lot by listening to people there – a mixed group of Christian and Jewish folk.

    I was particularly struck by the assertion that liberal Christians in particular sometimes preach sermons which might be considered to be anti-Semitic. It was entirely fascinating hearing one’s tradition spoken of by those outside of it. At first I was puzzled but the more I heard, the more I realised that there was something that needed to be taken note of. Some of the claims that sometimes get made about Jesus coming to “set people free” from the law, for example. As though people were not living liberated lives within Judaism for centuries before Jesus and for the centuries since. Also sermons which seem to imply that there’s one Jewish opinion that is trounced by the sudden appearance of Jesus. As if, several people said to me, as if there’s ever only one Jewish opinion. Going to this symposium made me much more aware of supersessionism than I had ever been before. (Supersessionism is a belief that Christianity is the fulfilment of Biblical Judaism, and therefore that Jews who deny that Jesus is the Jewish Messiah fall short of their calling as God’s Chosen people). It made me very wary of Christians passing themselves off as the new chosen people using things like “Christian Seder” rituals which quite often get used at this time of year. My own view is that there’s a bit of a problem with non Jews taking the Seder and doing what they want with it to make it represent something that might well be misunderstood or be offensive to those for whom it is a treasure and a joy. (I’d leap at the chance to go to an actual Seder if I was invited though…).

    It all made me listen more carefully to my own preaching and that of others.

    I also learned more than I previously knew about Holy Week being a time when violence has often been meted out to Jewish people in the name of Christianity by ignorant thugs.

    And recently, I’ve been hearing of the Jewish communities in Scotland expressing fears for their own safety.

    All of this is just by way of suggesting that this is a good week to be aware, to become more aware and to take care with words.

    I learned astonishingly little about modern Judaism when I was a student. I’ve learned more since, but there’s still a lot to learn.

    Recognising that the Jewish communities in Scotland don’t currently feel as secure as they should do, the retiring collection on Good Friday afternoon at St Mary’s will go to support the work of the West of Scotland Branch of the Council of Christians and Jews.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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