• Prof Bill Fishman

    I’ve just returned from one funeral of someone (Michael Hare Duke) who inspired me when I was in my late twenties to hear of the death of another one.

    I knew Prof William (always Bill) Fishman when I worked in the chaplaincy at Queen Mary and Westfield College – now just Queen Mary, University of London. He was one of those academics at whose fingertips knowledge sizzled.

    As well as his formal academic duties he was unofficially the professor of the East End of London. He had been there through all the great upheavals of the 20th Century and no day was more burnt into his memory than the battle of Cable Street, which he witnessed at first hand in 1936 when he was 15. Cable Street was a street I walked down to get to church on a Sunday morning but it was a street that I walked down politically and emotionally with Bill every time I met him.

    “It was a day when we all stood together, see. We all stood together against the blackshirts. I saw them – the Irish dockers and the Jews all linking arms to make sure they wouldn’t pass”.

    Bill was passionate in his atheism but more passionate to describe himself as a Jewish atheist and even more passionate when lecturing people about what God wanted us to do to make the world a better place. He would come into the chaplaincy regularly when he was in college and march straight into the chapel and start muttering incantations.

    It turned out that these were yiddish curses against the Tory government of the day from whom he believed most evil came. I remember the particular obscenity of the curse that he had devised in which he translated Virginia Bottomley’s name into Yiddish and back again into English. He said with a grin that his yiddish curses were more powerful than our domesticated Christian blessings.

    But he was a blessing himself. Countless students learned of the great movements of modern history from someone who had witnessed them. Whether it was formal lectures or tours of Jack the Ripper’s London, Bill was eloquent, passionate, angry and fabulously funny all at the same time. The rise of UKIP must have horrified him. But he taught and inspired a generation who will fight them and win.

    Bill didn’t have much time for a lot of religious leaders but he was never more at home than standing in chapel preaching, really preaching, against poverty, racism and fascism.

    Bill didn’t believe in a far off heaven. He was proud of the struggle for an earthly heaven where all will be fed and housed.

    And I’m proud to have known him.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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