What is in Kelvin's Head?

Prayers at a time of tragedy

22/12/2014

As I write this I’m hearing and seeing the news of the tragedy in George Square involving a bin lorry, unfold on twitter and news services. The accident is just about a 100 yards away from the Diocesan Office, an area I know well.

My thoughts and prayers are there and it is hard not to think that I’ll know someone who was in the square at the time it happened this afternoon.

Eternal God
at this time of bewildering tragedy in the city
help us to pray for those involved.
For those in hospital, for those who have died,
for those who rescue, for those who comfort,
for medical staff and for witnesses passing,
for all who wonder why.

Lord in your mercy.
Hear our prayer.

George Square, Glasgow, prayers

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

Reply
Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

Reply
kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

Reply
david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

Reply
Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

Reply
John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

Reply