What is in Kelvin's Head?

  • Generous Episcopacy: The Rt Rev Michael Hare Duke RIP

    I gather from a twitter correspondent that the Rt Rev Michael Hare Duke has died. Bishop Michael was the bishop with whom I first tested my vocation. Having been a bishop since 1969, he saw and influenced the entire modern story of the Scottish Episcopal Church.

    Where to begin with memories?

    • The time I sat in his study as he asked me about my vocation whilst his beloved dog, Tobermory pushed twelve full bottles of whisky from one side of the room to the other and back again. And again. And again.
    • The time he was in hospital and Baa, to whom he was married, turned up on my doorstep late at night announcing a full scale emergency. It turned out that the emergency was not his health but that he was dictating faxes from his hospital bed and Baa was struggling to send a message to the Crown Prince of Jordan.
    • The time and time again when he penned articles for newspapers in absolute certainty that mission in his diocese depended on people like him offering leadership, inspiration and puckish humour to the whole of society not just the people of the pews.
    • The time and time again his words have brought people to God and God to the people, as he was one of the triumvirate of poet-priests who wrote the bulk of the modern Scottish Eucharistic rite.
    • The extraordinary influence in the world of mental health that Michael had.
    • The gay couples he was blessing 40 years ago.
    • The unpredictable, chaotic, sometimes infuriating but human and humane episcopacy that he inhabited and made his own, which must today remind so many in the Scottish Episcopal Church of more generous times.

    Here he is in his own words in 2003:

    If sex has been one of the flash points over the last 50 years, the painful changes have also given me the joy of helping people to discover that the church does not condemn them, as they had expected, but accepts their integrity without imposing oppressive orthodoxy.

    I’ve no idea how they are going to celebrate Bishop Michael at his funeral next Tuesday 23 December 2014, which will be in St Ninian’s Cathedral at 10 am. At one point the then cathedral organist kept the Fauré requiem in the repertoire specifically so it would be ready for Bishop Michael’s funeral. (A fact that led one of my predecessors as Precentor there to remark that a few choruses of Hooray and Up She Rises might well be just as appropriate).

    I have a particularly strong memory of him over-consecrating vastly one Maundy Thursday. Whole chalices of consecrated wine were left over.

    Not a bad way to remember him.

    The world was richer for him and poorer at his passing.

    Heaven seems a deliciously more giddy prospect.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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