What is in Kelvin's Head?

Freshers: How to Choose a Church

25/09/2014
Every year at this time I find myself thinking about freshers coming to Glasgow to one of the higher education institutions. One way or another I was involved in freshers’ week quite a lot over the years. I did three degrees so went through it myself three times, then in subsequent university years I was one of those helping to put on events and then I worked in university chaplaincy work twice, once before I was ordained and then again whilst I was in Bridge of Allan.

Some students are looking for a church to join when they arrive at University. Some will have checked ahead of time what they want and will have already made contact. Others may find themselves thinking about attending a church for the first time. University years are partly for working out what you think about stuff and working out what you think about the claims that religious bodies make is something that is well worthwhile doing.

Here’s a quick checklist of things that I think Freshers might think about when thinking about how to pick a church.
1. Is there life there? You can usually see that from the website (if it isn’t updated, don’t bother) and you can certainly tell very quickly by turning up.
2. Do you want to be in a church with lots of people your own age or one in which there is a better balance of ages?
3. Do you bring gifts to offer and will they be welcome. (Do you want to sing, work with children, work for the homeless etc) and can the church put you in touch quickly with those you need to speak to.
4. Will all your friends feel welcome at this church if you invite them? Does it celebrate the ministry of both men and women? Are gay folk fully integrated into the life of the church? No-one wants to have brought their gay friends to church and then end up feeling embarrassed because of what was said or done when they turned up. Ask careful questions here – I know a few churches which would say that they were for everyone but which gay people can attend but can’t ever do anything like lead a bible study or alpha group.
5. Does those in leadership in the congregation appear to enjoy being there?
6. Does the congregation appear to enjoy being there?
7. Are there opportunities for you to learn if that’s what you go looking for?
8. Are there opportunities for you to develop your own spirituality and go deeper with your own faith journey?
9. If you call them up and ask for a student contact, can they give you the name of someone who will look out for you if you turn up?
10. Do you get a sense that the preaching is worth listening to?
11. Are they keen to have you turn up (good), disinterested in your turning up (not so good) or desperate for you to turn up (probably not very good at all).

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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