• The Joy of Evensong

    There are reports in the media today that a service of Choral Evensong in Bath Abbey was abandoned last Sunday because those inside the Abbey couldn’t compete with amplified music coming from outside the building. It is a bit of a sorry tale and I’m surprised that the police did not deal with it as a Breach of the Peace.

    When I came to St Mary’s I had never been in a church which had Choral Evensong as a regular service before. It had seemed to me to be something which was a bit of an anachronism- something that was dying out along with the users of the Scottish Prayer Book. I’d tried to avoid encouraging it in the churches that I’d previously worked in and was a bit suspicious of coming to a place where there was evening worship every week. It seemed like one unnecessary extra thing to do at the end of a busy day.

    However, I couldn’t have been more wrong and within a very short period of time, I had worked out that Choral Evensong was going to be one of the things that would sustain me in my ministry at St Mary’s and also that it was a devotion that was not only still relevant to some people but actively bringing people into church for the first time.

    Evensong is so different to the Eucharists we have in the morning at St Mary’s. In the morning, at the main service, there is quite a lot of activity and movement. It feels wonderfully busy and exciting. Choral Evensong feels wonderfully calm and peaceful.

    That’s not to say that there isn’t excitement at Evensong – the music is sublime. Here at St Mary’s we are lucky to have some of the most exciting singing you’ll hear in Scotland. The choir, who are all volunteers, make a passionate  sound that ranges from quiet and intimate to full-on ranting for some of the psalms. I love the diversity of music we get and I love the shape to the service which doesn’t change much each week.

    Choral Evensong is a perfect chill-out zone. You sit, you listen, you meditate, you absorb. You don’t need to be seen to do anything very much. It is  like bathing in a deep warm bath of musical spirituality.

    I’ve noticed that some people engage with St Mary’s for the first time at Evensong. I think it is because it is so easy to come to. Somehow you get time to think at Evensong – re-imagining the world that you’ve left outside the building and preparing yourself for the week ahead as the music and the peace of the building refresh you.

    I hope they sort out their troubles at Bath Abbey. Choral Evensong is a lovely thing and it would be terrible to lose it when you have it regularly.

    It is Sunday at 6.30 pm here at St Mary’s if you are looking for your soul to be soothed.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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