What is in Kelvin's Head?

  • A wee homily for Derek and Nelson

    Derek and Nelson – you have come here to St Mary’s today to declare your love for one another and so that we can share your joy and give thanks with you.

    Today is a feast day in the church. It is the Feast of St Mary – and here we all are in a church dedicated to her, St Mary’s Cathedral. And on a feast day we share in joy….and in thanksgiving.

    Now, on this day the church remembers different events that happened in the Mary’s life. We remember her at the beginning of Jesus’s life sharing the joy of his birth and we remember her at the end of his life sharing her sorrows with others. And on this day, you’ve chosen a gospel reading all about another event in her life. You’ve chosen the reading about the wedding at Cana of Galilee.

    As we’ve just heard, Mary was the guest at a wedding and at a given point in the proceedings, she nudged her son and declared that there needed to be more wine and that he should do something about it.

    And sure enough, water was brought out and it was changed into wine and the party went on. No doubt there was joy, and considerable thanksgiving.

    Looking around at all of you gathered here, I don’t know whether you believe in miracles or what you make of stories like that. I also don’t know how you all feel today – beyond being sure that you come here with a sense of joy and of thanksgiving and of love for Derek and Nelson. My guess is that many of you are sitting here surprised to find yourselves here – still surprised that such a ceremony like this is possible.

    The truth is, for a lot of us who grew up as gay people, this was completely outside our expectations. We never expected to be able to celebrate a partnership in this way. It just wasn’t conceivable.

    Yet here we all are.

    I don’t know whether you believe in miracles. But for some of us here today, we have watched things change over the last few years. They have changed in ways that once we could never have believed. Those of us who are gay have watched water change into wine in front of our very eyes. And we have begun to drink. And the wine tastes absolutely wonderful.

    Joy. And thanksgiving. And wonder.

    Those are the things we celebrate here today.

    Mary clearly wanted all the cups at the feast to be full, absolutely full to the brim. And running over.

    And so it shall be.
    In the name of the Father and of the Son and of the Holy Spirit.
    Amen

    , ,

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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