What is in Kelvin's Head?

  • Remembering Dr Pritchard

    Dr Edward PritchardEvery day at morning prayer in St Mary’s we remember those whose year’s mind falls on that day. This means remembering by name in our prayers those from the congregation whom we know to have died on that day. Now, our year’s mind list goes back a few decades and we’ve added one or two prominent people from the past to it.

    One of them came up today – Edward Pritchard.

    It is a name that one could pray through and not pay any attention to but I think of him each year on this day when the anniversary of his death comes around. He was hanged on 28 July 1865 before a large crowd of people, tens of thousands, some said, on Glasgow Green. He was the last person to be hanged in public in this city. He had been convicted of murder, having killed his mother-in-law, his wife and possibly a maid in his household. As a trusted doctor he had been able to get hold of Antimony relatively easily. As a genteel murderer, his case was particularly shocking to people.

    He was also a member of this congregation and he died with a curate from St Mary’s in attendance at the scaffold.

    Religious people are pretty good at remembering those who have done something courageous. Saints are a real part of our continued worship, but what do we do with sinners?

    It seems to me appropriate every year to remember Dr Pritchard. He seems to have been a rather nasty piece of work but I have this giddy belief unsubstantiated by anything other than Christian hope that nasty pieces of work are children of God just as much as those who live lives that are pure and holy. (And I’m not really stupid enough to think that people fall into only one category, either).

    When I remember Dr Pritchard, I remember that God most loves those who need love most. As I pray, I remember those who are on death row today and I know with every greater certainty that I’m opposed to the death penalty. And I remember the mercy and love of God which is as real and true for the Dr Pritchards of the world as it is for anyone else.

    So, recognising that it is as perplexing and puzzling to work out how to pray for Dr Pritchard as it is to pray for anyone else, I add to the corporate prayer of the church my own intentions, hopes and struggle.

    For Dr Edward William Pritchard whose year’s mind falls today.

    May he rest in peace. And rise in glory.

     

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6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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