What is in Kelvin's Head?

The Privatization of Public Space and the Commonwealth Games

30/07/2014

Glasgow’s having a ball hosting the Commonwealth Games at the moment. As everyone here is going around saying to one another, there’s a real buzz about the place.

However, that buzz comes at a significant price.

I had a wander down to Glasgow’s great public gathering place by the Clyde yesterday – Glasgow Green. I was surprised to be frisked going onto the Green and even more surprised to read what was and was not allowed there during the Games celebrations.

It was very noticeable that in all the hullabaloo, religion had been written out of the picture. To a certain extent the churches have colluded with keeping themselves hidden during the Games period. I don’t particularly have a problem with that but it was striking that amidst all the festivities in this city in which both the glories and the shame of religious life are vibrantly practiced there was nothing at all to refer to that reality.

More troubling to me is that people on the Green were apparently being told to cover up YES badges indicating their support for Scottish Independence.

I’m not a supporter and have every intent to vote no and encourage others to do so. However, I don’t like the idea that the authorities were asking people to cover up their allegiance to a political movement on Glasgow Green – a place where political opinion and protest has often flourished.

There’s other things you can’t take onto the Green too which are perplexing – the ban on wifi routers being one particularly worrying one. Fortunately those doing the frisking seemed oblivious to the fact that one can use a mobile phone as a wifi router if one so desires.

There’s other things you can’t bring in too – drinks in large bottles was one restriction, I think.

There’s a lot of buying and selling going on down on Glasgow Green. But no protest. No dissent. No freedom of expression. No freedom to use new technology.

This glorious public space has been privatized and the Live Zone on Glasgow Green is a triumph of authoritarian capitalism.

Amidst all the celebrations which rightly surround these Games, we should not be blind to what is being done to us.

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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