What is in Kelvin's Head?

  • Why we sang a lament today

    It has been a pretty depressing week on the news front. The downing of the plane in the Ukraine, the continued terrorism of Boko Haram in Nigeria, the invasion of Gaza and the oppression of the Christians (and other religious groups) in Iraq by ISIS have been a huge amount of negative events that feel terrible.

    As I was preparing to take the worship this morning, I saw a picture of an 1800 year old church burning in Mosul in Iraq.

    Now, burning churches are just buildings but this seemed to represent the organised oppression of a whole communion. The Christians of Mosul have been told to convert to Islam, pay an infidel’s tax or be slaughtered. They are one of the oldest Christian communities in the world and thousands of them have now fled for their life, their homes being marked by ISIS with a symbol indicating that Christians live there allowing particular buildings to be targeted.

    I decided this morning that our worship needed to include something that had not previously been planned for. I decided to include a lament. Given that the city of Mosul sits astride one of the rivers of Iraq (ie Babylon) it seemed appropriate to sing from Psalm 137 – by the waters of Babylon we sat down and wept.

    Now the context from when it was first sung to our present age is different but the sense of lament is the same. Lament is what happens when anger and sadness meet and start to sing in harmony, creating a song that suggests that the singer is not happy to let the world rest in its current state.

    And so we sang the simple round, “By the waters, the waters of Babylon” during our worship at St Mary’s this morning.

    [You can hear others having a go at singing it over on Youtube]

    It wasn’t the most dramatic or glorious music we’ve had in St Mary’s recently. However, it was some of the most heartfelt.

    When we meet on Sunday’s our songs are generally songs of praise and rightly so. However, we have other songs in our repertoire. Today was a day for lament. And in lamenting to claim that a better world is possible.

    , ,

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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