• Peter Tatchell on Outing Bishops

    I was in conversation with Peter Tatchell yesterday in St Mary’s after the Sung Eucharist yesterday morning. The whole of the conversation was recorded and can be seen on the cathedral website.

    One of the things that I wanted to ask him about was whether he still thought it was appropriate to out gay bishops, something that he has done in the past. I wasn’t too surprised to hear him justifying the outing of gay public figures who use their own influence to inhibit the lives of other gay people.

    I was interested to hear him say that he and those whom he works with are currently considering outing bishops again.

    The whole of the segment on outing people is in the video extract above. The particularly relevant bit comes at the end:

    Kelvin Holdsworth: For what it is worth, I find myself very often wondering these days whether we are heading back in that direction [of outing], with bishops in England directly preventing their clergy from marrying at the moment in a way that is not likely to happen in Scotland. And some of them perceived to be in partnerships. And that seems to me to be back in that territory.
    Peter Tatchell: You are absolutely right, and we are amassing the evidence right now. I’m not saying that we will use it, but we are certainly thinking about it – because people have a right to privacy so long as they are not using their own power and authority to harm other people and when other people are being caused harm and suffering we have a duty to try and stop it. If this is the only way, it is certainly not the preferable way, it’s not the first option but as a last resort I think it is morally and ethically justifiable.

    My own view that it is perfectly justifiable to out those who are gay who use their authority to inhibit the lives of those gay people in their care. It seems to me that it is perfectly legitimate for anyone with concrete evidence of a bishop who has supported an anti-gay policy such as the recent pastoral statement in the Church of England and who is in a same-sex partnership, to draw attention to that hypocrisy in public.

    What do you think? Is it reasonable to out bishops who are themselves gay and in partnerships who are supportive of policies which would inhibit their gay and lesbian clergy from marrying?

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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