What is in Kelvin's Head?

Sermon – the parable of the sower

14/07/2014

The church is completely obsessed with one topic.

Whenever you go to church meetings there is one thing that dominates everything and has done so for at least the last 15 or 20 years.

We talk about it endlessly. Whether it is local regional chapters, diocesan synod, General Synod or even the meetings of the Anglican Communion such as the Lambeth Conference which gathers all the bishops of the communion together every 10 years, there is sure to be this one item on the agenda.

Reports are written.

Debates are had.

Motions are passed.

Decisions are made.

All in relation to this topic which has seemed to dominate absolutely everything we do.

People (by which I mean me) are bored to the back teeth of hearing about it and yet still we go over and over it all again at every meeting.

Bishops and archbishops make statements about it. And our concern is matched by similar conversations in other denominations.

Who would like to hazard a guess at what that topic is?

Is it wonga?

Is it assisted dying that Lord Carey has been highlighting rather unhelpfully this weekend?

Is it sex in general and homosexuality in particular?

Well, (more…)

mission, missional, parable of the sower

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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