• The Visitation and an Anniversary

    Today is the Feast of the Visitation. It also happens to be the anniversary of me coming to St Mary’s 8 years ago.

    Those who were around then will remember that my ministry started here with a hugely exciting service of induction and installation. I had to be made the Rector and I had to be put in my stall as the Provost. It was one of those services where we threw just about every liturgical trick in the book at it and it worked.

    To be honest, I find most induction services rather dull. We’ve got into the habit of using miserable liturgies for induction services in which there is a central drama of people putting gifts into the new priest’s hands to symbolise all that they are getting by coming to their new job. I hate it and tried to keep it to a minimum when it was my turn here. In particular, I refused to receive the keys of the church – one of the most silly symbols the church has ever invented, in my view.

    I remember saying at one point in the planning of the service, “Well, you can put the keys on a nice velvet cushion and process them up the aisle and bring them to me and bow deeply and offer them to me and I’ll still say ‘No, I am not receiving these keys’”. In the end they never appeared and I didn’t have to publicly say no to them.

    The giving of gifts symbolises things that I’m not comfortable with at all. It is an enactment of a system of power that exists in congregations which is very far from being healthy. (It is also a little bit of liturgy that doesn’t have a great deal of history to it).

    When someone becomes a Rector in a congregation, they find themselves given a load of power right at the beginning. And right from the beginning, their success, or otherwise, will be marked by how they chose to retain that power, give it away or share it.

    The appropriate letting go of power is one of the great themes of Christian ministry but one that is very rarely discussed when clergy are being trained.

    I find myself now, knowing less about what is going on at St Mary’s than once I did. You have to learn to trust people and let go.

    As it happens, I’m off sick for this anniversary and the church is coping without me. I wish I was around this weekend as I’d have enjoyed celebrating an anniversary mass this morning and would rather be worshipping at St Mary’s on a Sunday than anywhere else in the world. (We give ourselves permission to be excited by the worship in St Mary’s – when we are on form, the worship is allowed to be as interesting, moving, funny and passionate as it should be).

    However, even though I’m not there, I’ve every confidence that all will be well without me.

    Once upon a time, I’m not sure that would have been so. I’d have been off sick and still worrying about the place.

    Looking back, there have been wonderful high points since coming here eight years ago. I think that the church is a happier place than it was then too. And I never think happiness should be dismissed. It matters rather a lot.

    I’m happy here at St Mary’s too.

    Eight glorious years.

    Thanks be to God.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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