• Off sick

    Have had an extraordinarily quiet time over the last couple of weeks, unable to really enjoy being on holiday as I was still trying to get over a bronchial infection which has gone on for weeks and weeks.

    Back to work for half a day yesterday showed me that I’m still a long way from being fit and certainly not fit to work. The doctor has signed me off today for 2 weeks.

    I can get to local shops, can drive and am not housebound and I’ll shout for anything I need. However it is the quiet life for me for a bit longer.

    My thanks to colleagues for covering all bases whilst I’m under the weather. If you are waiting for responses from me about anything, my apologies, I’ll deal with them when I get back to work. In the mean time, please contact the Cathedral Office about anything that seems urgent.

    I don’t know whether I will be posting much on the blog. (I’ve got one or two articles written but unposted).

    This is what comes of not doing the blessing of the throats for St Blaise’s Day…

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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