What is in Kelvin's Head?

  • Sermon – At the Well

    Here’s this morning’s sermon. I went a little off piste from the text, but essentially what I wanted to say is in both the video and the words below.

    Let me begin this morning with a poem. Just a short poem – so slight that you need to listen or it will pass you by. Water – by Philip Larkin.

    If I were called in
    To construct a religion
    I should make use of water.

    Going to church
    Would entail a fording
    To dry, different clothes;

    My liturgy would employ
    Images of sousing,
    A furious devout drench,

    And I should raise in the east
    A glass of water
    Where any-angled light
    Would congregate endlessly.

    I want us to think this morning about what it means to construct a religion – a way of being spiritual and to reflect on that with the woman at the well – the source of the water, that Jesus himself wanted to drink from.

    Now. We seem to have forgotten what significance wells have had in attempts to learn to be spiritual.

    Later today, those of you who are here with the Friends of Cathedral Music will make your way to the Medieval Cathedral in Glasgow to take part in a service there. It is the rock from which we were hewn – or the well from which we here once drew water. For the people who became this congregation were turfed out of there for keeping the Episcopal faith in 1689.

    Should anyone find their way into the under-church in the Medieval Cathedral they will find one of the clues as to why that church is where it is. Just by Mungo’s tomb, set now into the walls is a well. It is easy to ask why they would build a well into the walls of a church but of course that is to get it the wrong way round. The Saint Mungo came to a holy place to minister. Came to a holy well where he lived and died and was buried. And above and around him and the well, grew the building that now stands there today.

    If I were called in
    To construct a religion
    I should make use of water.

    So great is our need of water, so powerful is the need to quench our thirst that it should not be difficult to understand why wells were holy places. (more…)

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6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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