• On not giving up social media

    Like Mother Ruth, I was pondering yesterday a number of people who have decided to give up social media for Lent. It strikes me as a very odd thing to do.

    On the one hand, I suppose I can see that sometimes religious people feel the need to withdraw from the world for a time and simply be in a different place with less distraction. That is the essence of going on retreat. However, I can only conclude that those who are giving up social media for Lent use it for different reasons than I do. For me, Facebook and Twitter and blogging (and email, come to that, for email is social media) are ways of connecting and communicating with others. On Facebook I hear about things I want to hear about – other people’s passions, other people’s loves, other people’s lives. But they are not simply the Other, out there. Those people are part of my life too. Social media adds layers to life that I think are good, not bad and that makes me puzzled by people wanting to give that up.

    I could understand someone saying that they are going to give up being bad-tempered on twitter or give up posting photographs of other people’s kittens on Facebook. Both of those seem commendable. Giving up social media entirely seems like giving up speech for 40 days in order to conquer bad temper – a strategy that one suspects might well backfire.

    Here’s a few things that were part of my day on social media yesterday:

    • Being fascinated by the reports of people in the USA that I know going out into the streets with their ash yesterday to offer “Ashes To Go” to anyone.
    • Learning with delight, on the sly, that the choir had been talking about the subject of my Ash Wednesday sermonette (“How would you live today if tomorrow was your last?”) whilst in the pub after the Ash Wednesday service, where presumably they had gone for a sip of water.
    • Making a connection with the Dean of another cathedral that I’ve not been in touch with for four or five years.
    • Sharing a joke with a couple of people scattered in parts of the Scottish Episcopal Church that I think are remote (and which they probably think are Pisky Central).
    • Sharing a few pictures of beautiful things I’ve spotted over the last couple of days.
    • Making contact with a member of St Mary’s of a few years ago who was saying she missed Lent here and asking her what it was she missed – her answer, “Beauty from Chaos”.

    Why would I want to deprive myself of any of those things? What spiritual discipline says that to miss out on any of that that is good?

    My life is richer for social media. It is also diminished by those who step away from it, (yes, from me) for Lent.

    I’m puzzled by this devotion and believe it, not social media, to be a temptation.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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