What is in Kelvin's Head?

The Organ & The Consultation

02/12/2013

This picture appeared on my facebook feed yesterday. It was posted by Peter Wakeford who was playing the organ yesterday morning. It shows what was going on during the service.

Now, if you had been there yesterday you would have heard some sumptuous music and would have had no idea that anything was going wrong. However, the last thing an organist wants is for the pistons to fly out when you give them a nudge.

This picture shows something fairly small going wrong with the organ but it is indicative of the state that parts of it are in. Much of the pipework – the bits that make the noise is fine. Indeed, much of the pipework is of significant historical interest. However, the bits that make the pipes play, not so much. There are huge problems with the console and with the transmission – that’s the gubbins that tells which pipe to open after the organist has pulled out a stop and attempted to play a note.

Thinking about the organ is just one bit of what the Vestry are currently consulting the congregation about. A new consultation paper called Releasing the Mission was launched last week at the Annual General Meeting. It is partly about the organ but is also about how we build capacity into St Mary’s so that we can do what we do well and even do more. We are so busy at the moment that the building is creaking at the seams. If we did a bit of development work, we would be able to help to secure the musical life of the place (which is a core part of our mission work), provide more space for the groups and networks that are buzzing, get better use of the building for the local community and also provide a more welcoming space when the diocese is holding big events at St Mary’s.

The consultation paper is available online on the website and the Vestry are hoping that lots of people will respond – whether people who are directly members of the congregation or indeed those who have a more tangential relationship with St Mary’s. The hope is that lots of different voices and constituencies can be heard. Responses can be made using the on-line form or in writing via the Cathedral office.

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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