What is in Kelvin's Head?

The Christian Year and Social Media

16/11/2013

I do love the way that the Christian Year is becoming more important to Christians because of social media.

When I check my facebook and twitter feeds in a morning I can be pretty sure that there will be something there which relates to what season or more likely what day we have got to in the cycle of faith.

Today for example, I checked my facebook feed and found a lovely description of St Margaret of Scotland posted by Kirstin Freeman.

Today is St Margaret’s Feast Day and I can remember a time when most people simply wouldn’t participate in such a festival. Now, if you follow a few Christian bloggers and social media mavens you get little reminders of the heros of faith – comment and pictures and all kinds of good things just arriving before your eyes.

Passive learning is a big feature of the new knowledge economy. I find it odd that lots of people in the church still don’t get it and still think that learning is about people coming to hear them spout. It can be far more dynamic and far more interesting, even if spouting is still part of what the church has to offer.

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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