• Still Prayin’

    In many churches, St Mary’s included, there is at least one, often two short public service of daily prayer. Here in St Mary’s we have morning prayer at 9.30 and a dedicated band of people take turns in leading. There are generally between five and ten people who come – sometimes more and sometimes less.

    For almost a couple of years now we’ve been experimenting with an evening service on Saturdays which is convened online rather than in church. After a break in the summer, that has now started up again.

    When I first participated in a daily tradition of prayer I was working in the University of London in one of the University Chaplaincies. I remember once saying to someone in the college that I needed to get back for Evening Prayer and his response has stuck with me. “Say one for me” he said. He was not someone who would ever dream of coming to the service itself but somehow it mattered to him that prayer was offered in that place.

    Something  of the same thing is going on with the online service. There’s a small band of people who do it – never more than 10 because we don’t have the technology for more than 10. Sometimes we’ve approached that number but more often it is just a few of  us. I find that when I tell people that prayer is offered in a google hangout online they are really interested but far fewer come and join in than care about it. There’s obvious delight in the very idea from some people who don’t ever make it into the hangout. There’s a touch of “say one for me” about the experience, I suspect.

    People are also interested in what it feels like.

    Interestingly the experience that it has most felt like to me is morning prayer at St Mary’s. I guess I am generally comfortable living life online and more so than many. However, it doesn’t really feel any different to me.

    I’m interested in this because I know that clergy find it hard to say the daily office on their own. No, let me be more truthful, I know that I find it hard to say the daily office on my own. When I worked in a smaller church I could never quite drag myself into church to say it publicly and I shared what quite a lot of people say – that it makes them feel lonely. Now sometimes you can get yourself in th mood by reminding yourself that you say it with the saints and angels and with all the company of heaven, including those who are saying the same words in many different situations. There’s a core truth that you never pray alone which I believe. However, that is often easier to belief than to feel.

    Saying the office online is one way that groups of people could chose to build into their spiritual practise. The little group that does it at St Mary’s now has been doing it long enough to be able to offer tips and I’d welcome any questions or enquiries. Best thing to do, of course, is just turn up to one of our services in cyberspace.

    There’s more detail here:

    http://thecathedral.org.uk/online-evening-prayer/

     

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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