• Sermon for Michaelmas


    Once upon a time, in a land not far away, there was a seminary where lucky young men and lucky young women came to train for the priesthood and open their lives to all that God was hoping for them.

    It was a place that I knew but did not study in myself but a place that some of you may well have known and visited in its day.

    Now this seminary was, like St Mary’s a bit of an international place. It was somewhere that people from all over the world would drop into for a couple of months of Sunday. It was like a liturgical finishing school for the world. It was good in those days (and still is a good thing I fear) for you to have had a bit of time in a British seminary if you were studying for the Anglican priesthood from furth of these shores and wanted to climb the slippery slope of clerical advancement.

    And thus the seminary in question used to admit external students from time to time.

    And one of these students arrived in this place. He came from a part of Anglicanism where Portuguese was the dominant language and though he had studied English, it was a hard work at first for him to communicate.

    Well, he arrived and was shown to his room and the first time he met the student body was the next morning for breakfast.

    As he stirred his porridge and gave thanks for his good fortune, he looked up at the other students and said, “Last night. Last night the Virgin Mary came to me (more…)

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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