• Atonement theory and the Naughty Step

    One of the parents in the congregation recently was saying how hard it is to answer good questions from children about why Jesus came and had resorted to trying to explain it in terms of the Naughty Step.

    I thought it might be helpful to lay out some of the main theories of the Atonement thus:

    • Ransom theory – our parents were so naughty that they deserve the naughty step and have passed their naughtiness onto us. Justice requires that someone has to go to the naughty step to pay for this and God tricked the devil into seeing Jesus on the naughty step as sufficient payment for this.
    • Christus victor theory – Jesus has gloriously broken down the powers and dominions of naughtiness and only has to glance at the naughty-step for his holiness to turn it in to dust. Nothing can withstand his might and power.
    • Moral influence theory – Jesus came to teach us how to be so good that we would never be sent to the naughty step.
    • Penal substitution theory – God simply won’t forgive anyone until He is satisfied that the naughty step punishment has been fulfilled in full. Fortunately, Jesus comes along and takes on that naughtiness for himself, freely offering to pay the debt of naughtiness to God the Father. We need urgently to recognise this offer and accept it.
    • Incarnation theory – the amazing thing is that Jesus comes and sits on the naughty step with us, sharing our frailty and sharing our sorrows.

    There are other possibilities, but those should keep you going for a bit.

    Now, all these things have been believed by Christians. However, it doesn’t make much sense to claim that you believe them all at once. Notwithstanding that, I’d say that they all move me at one time or another, even though I tend towards one of them as my dominant way of understanding why Jesus came. We encounter all of these theories in our hymns, if not elsewhere.

    That’s the way atonement theory works for me.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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