What is in Kelvin's Head?

What am I listening to?

22/08/2013
Oh, thank you for asking.

Well, the days of listening to CDs seem to be long over, don’t they? I’ve not ditched all the CDs like Chris Pinnock has, but wonder how long I’ll go on with a cupboard full of little boxes.
- Firstly and most splendidly there’s the Gyndebourne summer online opera festival. Oh yes, you can watch and listen to half a dozen or so glorious Glyndebourne productions. Like all opera should be, they are free at the point of delivery.
- I briefly got sucked into the gay-country-pap of Steve Grand’s All American Boy the other day until I realised it was just like most representations of gay people in America – doomed to end in tears. (Cheyenne Jackson’s Don’t Wanna Know made me laugh, but it is more of the same – all American gay boys don’t get happy endings to their stories much in America).
- Then something I saw somewhere reminded me of Alan Price’s O Lucky Man so I had a good listen to that.
- I also came across Tom Gilfellon’s album In the Middle of the Tune on Spotify – something I’ve not heard since I ditched vinyl – here’s the first track The Banks of Red Roses.
- Whilst I was getting stuff ready for Pride the other week, I needed some music to cheer me on my way so listened to Holly Near and sang along with Singing for our Lives.
- Christy Moore’s Before the Deluge doesn’t get tired, does it?
- Neither does Martin Simpson’s Prodigal Son album.
- And did you know you can hear Frank Weir’s monumental 20th Century Folk Mass on spotify? It is really a big band mass, but there you do.
Spotify tried to get me to listen to Val Doonican the other day. I’m not letting on as to whether I did or not though.
Music

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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