What is in Kelvin's Head?

  • Sermon preached on 4 August 2013

    I used to work in a church with murals. Well one mural. It wasn’t this church and it wasn’t these glorious murals. It was somewhere else entirely.

    (By which I mean Edinburgh).

    Throughout the late fifties, the sixties and early seventies, a sustained period of liturgical reform had happened. The altar had been pulled away from the wall. The priest now faced the people. The peace was shared and communion started to happen every Sunday. Those of you who have been around for a bit might remember that story from all kinds of contexts. Those who are new to Episcopal worship might be surprised to learn that how we do things is not in fact as old as the hills at all.

    Anyway, these liturgical reforms in this church had left a big space to fill. Somewhere along the way, the East Window had been bricked up and whitewashed over and now there was a giant wall to fill.

    And, of course, just as we can be sure that someone was heartily trying to encourage the congregation to sing Kum By Yah. so, inevitably, someone got to paint a mural.

    Unlike Gwyneth Leech’s paintings, which surround me here in this church. this was a rather less successful piece. (more…)

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6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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