What is in Kelvin's Head?

  • We’ve a feast on our hands

    Corpus 7

    We’ve a feast on our hands today at St Mary’s. Today is a day set apart in the calendar of our church on which Christians may give especial thanks for the institution of Holy Communion. It is the very last of the festivals whose date changes according to Easter. Because Easter was early this year, so today, Corpus Christi is earlier than it often is too.

    Corpus Christi is related to Holy Week in another way too. The day on which Communion was instituted in the church is Maundy Thursday. That’s when we remember the Last Supper in the Upper Room. The Last Supper is perhaps confusingly the First Communion.  (Or at least it is if you discount the other eucharistic meals in the gospels where Jesus breaks bread and shares it, such as the feeding of the five thousand). Maundy Thursday though is a day when we’ve got so much to think about and so much going on that we tend not to think about the supper itself. We get so quickly caught up in the story of Jesus’s arrest in the garden, trial and crucifixion the next day that we don’t have much time to ponder, or indeed, celebrate, the meal itself.

    Hence, Corpus Christi. We get the chance today to rejoice in the meal.

    I used to go across to celebrate Corpus Christi in Edinburgh with Fr Kevin Pearson. Sometimes we would make it a trip for servers and other hangers on. Indeed, on one ocassion, Fr Kevin invited me to preach. When Fr Kevin became Bishop Kevin a couple of years ago, I decided to have a go a reviving the feast in the west and started to celebrate it in Glasgow. And today, I’ve asked Bishop Kevin to come and preach at it.

    It is a fairly complicated, wizz-bang kind of liturgy with much to think about. However, the essential ideas are easy to grasp. Firstly that God is really present when the Eucharist is celebrated. Secondly that God comes amongst God’s people and walks with them. Thirdly that it is OK to be joyful and happy. Indeed, joy is at the core of what we do.

    So, Corpus Christi.  A sermon from Bishop Kevin. Flower scattered (no, strewn!) before the Lord of Heaven and Earth. The glorious Vierne Messe Solonnelle from the choir. And joy for everyone.

    Kick off 7.30 pm. All welcome.

    [There’s a facebook event here: https://www.facebook.com/events/467625339986048/ if you want to invite facebook friends)

    , ,

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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