What is in Kelvin's Head?

  • Society Against Sundays in the Month

    Why is there no church society for those of us who believe that Sundays-in-the-Month are one of the works of darkness that beset the church and tempt it into doom and decline?

    You know the kind of thing I mean – Matins on the first Sunday in the month and Eucharist on the rest. Or modern liturgy every Sunday except when there is a fifth Sunday in the month when it shall be the language of the Scottish Prayer Book 1928 1929. Or 10.30 am Sung Eucharist every week except the 2nd Sunday in the month when it is matins with the Methodists. Or First and Fourth Sundays in Auchendoggle, third Sunday in Auchendrizzle and a united service on the fourth Sunday in the month – see the church porch notice for details.

    I’d be interested in any research in this area. Is it the case that there is a statistical correlation between decline and those practising the doctrine of Sundays in the Month?

    Isn’t every notice which includes an intimation about the Sunday in the Month speaking to the world of a congregation either divided by compromise or prepared to announce its decline to the world?

    Why do we never talk about this?

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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