• Inspection of TISEC

    TISEC – the Theological Institute of the Scottish Episcopal Church has had the inspectors in (from the Ministry Division of the Church of England, since you ask) and they’ve just released their final report.

    There is not much for anyone’s comfort in the report as the inspectors indicated that they had no confidence in the governance of TISEC and in its formational ability. Both of these are hugely significant. The later means the ability of the institution to form people appropriately for the ministries that they are being trained for.

    I’m not going to say much about this at the moment. There will be many things said and many words spilled over this before the year is out. It is minority interest no doubt for most people who belong to the Scottish Episcopal Church. However, how we train people for ministry is fundamental to who we think we are. There’s a sense about, that this report means significant change – not only for TISEC but also for the church, not least for the Mission and Ministry Board who have the responsibility for overseeing this work. There are funding implications and pastoral implications to this and that’s why, even though I’ve never been shy of speaking about TISEC, at the moment, I’m saying little other than to suggest that anyone who cares about the Scottish Episcopal Church needs to read the report in full for themselves.

    And it can be found here:

    http://www.scotland.anglican.org/media/organisation/tisec/resources/TISEC_Final_Report_18_Feb_13.pdf

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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