What is in Kelvin's Head?

  • Sunday’s Sermon on Vocations

    Here’s what I said on Sunday about vocations

    [Sorry about the poor audio. We’ve some major problems with the sound system that are going to take some weeks to sort out – however, the Vestry are well aware that Something Needs to be Done].

    The Bishops of the Scottish Episcopal Church have asked the whole church today to reflect on vocations. The idea is that on this Sunday, when the readings tend to reflect on the idea of Jesus as the great shepherd of the flock, we think about the notion of calling. So we must think about how we discern God’s calling and what we might make as an appropriate response.

    I am aware as I begin to open up that subject that we are stepping on sacred ground and must mind where we go. Immense amounts of sadness and disappointment have been the result of vocations, and not exclusively clerical vocations, which the church has not been able to affirm and rejoice in. On the other hand, this is, as the gathering place for the diocese, a place where vocations are delighted in and celebrated in ordination services and in various ways of thanksgiving for lay ministry, including the Ministry Celebrations Service in the summer.

    But I do with caution. And I begin with my own experience. (more…)

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6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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