What is in Kelvin's Head?

  • Passion Sunday Sermon

    In the name of the Father and of the Son and of the Holy Spirit. Amen.

    I realised yesterday before I wrote this sermon that I have no idea what spikenard smells like.

    That it is basically an essential oil derived from the root of a plant related to Valerion which grows in the Himalayas was fairly easy to establish. But what does it smell like.

    And what does Christianity smell like, for that matter.

    This woman, Mary of Bethany appears in two significant places in the gospels and in both stories, smell is one of the most important features. Firstly she is there when Lazarus is raised from the grave – with the fear of the stench of his rotten body a distinctive and memorable part of the story. And now she pours her perfume on another body – a living body. For she anoints Jesus with her spikenard and wipes his feet with her hair. And her actions are in strong distinction from her sister who serves the meal.

    There are so many questions to ask of this gospel reading. Who was she? Why did she do what she did.

    And what does spikenard smell like? And why do we read this right now, on Passion Sunday when by tradition and habit our thoughts turn towards the cross.

    I decided yesterday afternoon that the most fundamental thing I needed to know was what spikenard smells like.

    (It is amazing what a preacher is prepared to do in order to put off actually writing the sermon).

    I came to the conclusion that the West End was the perfect place to buy spikenard – if you can’t buy it round here, where can you buy it.

    Well, an hour trudging around in rain soon proved to me that it is probably pretty hard to come by anywhere. Health Food shopkeepers shook their heads. Herbalists gazed at me with regret. Even the woman in the esoteric crystal shop up on Queen Margaret Drive admitted to her sadness that spikenard was not something she could help me with. (And she seemed to have answers to problems I’d never even thought of).

    I came wearily home. And I turned to the internet. And quickly I found some information. I managed to get a description. I found it on an aromatherapy website, so as any of the many medics in the congregation will affirm, it must be 100% true.

    It said… (more…)

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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