What is in Kelvin's Head?

Google Reader RIP

15/03/2013
In the midst of the hubbub over a certain election in the Vatican earlier this week, I noticed one or people tweeting “This would be a good time to bury bad news”. As it turned out, there was quite a significant piece of geek news that came out at that time which has got quite a lot of people riled and got quite a lot of people bewildered as to what the fuss is about.

Seems that Google is going to turn off the Google Reader service. Now, I don’t need to explain what Google Reader is to readers of this blog, do I gentle reader? Oh no, you’ve all read, bookmarked and inwardly digested that post I put up about blog aggregation in 2010.Â (What do you mean you don’t have it at your fingertips? You can find it here: http://thurible.net/20101111/how-to-read-blogs/)

It is rather a significant moment in the life of the blogosphere when google announces that that particular service is coming to an end. It works, it beats everything else I’ve tried and I’m surprised that they are pulling the plug. It may well mean that overall blog reading will shrink and it will be an inconvenience to move to another kind of reader.

Four thoughts:
1. This is a Woolworths moment. I know I check Google Reader less than I used to do because somehow my brain has come to believe that those posting and linking on social media are more up to date, happening, switched on voices than people who don’t. That means the first sight of interesting content most often comes for me on twitter or Facebook. If we look at a service less, it is of less value to the people providing it and hence, the Google Boffins can probably read the runes. They practically dominate web analytics in any case. My guess is that they can see that the use of this service is falling fast. If you don’t shop in Woolworths, Woolworths will close, no matter how nostalgic you are for the pick and mix that you never actually bought.
2. This was a free service. They don’t have to provide it. Get used to it.
3. All those people who are worried about privacy and Google do have a point. Untangling the individual from the corporation one of the major themes of our day. This is a day of victory for the Open Source movement whose advocates can rightly look smug.Â (They will anyway).
4. I expect I will find another reader to follow RSS feeds. RSS is a lovely thing. However, like wikis, the great unwashed don’t get it. I’d like to say that they want their content served up on a plate for them without any effort. However, it would appear that they don’t, doesn’t it? That’s what RSS does.

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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