• The Bishop of St Davids and the Archbishop of Canterbury

    The Rt Rev Dr Joanna Penberthy is the 129th Bishop of St Davids. In tweets that came to light recently, she exhibited an antipathy to members of the Conservative Party which did not sit well with her position.  “Never, never, never trust a Tory” is not what people expect to see a bishop tweeting.

    Once these tweets came to light, there was a considerable brouhaha which seemed to die down when she apologised and deleted her twitter account.

    Now, I happen to think that Bishop Joanna’s tweets were not compatible with her role. I work in a congregation which has political activists in it from time to time of all persuasions and I have had no trouble working and worshipping with them all. I think that she was right to apologise and to make sure that the tweets in question were removed from view.

    One does not need to go very far to realise that I do not have much truck with the policies of the Conservative Party. I have, after all, stood against Tory candidates in several elections. I am fairly obviously of the view that engagement with public political discourse is appropriate (if indeed not sometimes necessary) for those who hold prominent positions within the churches. As it happens, I am now a floating voter and not a member of a political party though I do strongly encourage others who are members of political parties to engage fully with them.

    One of my frustrations about the manner in which Bishop Joanna has expressed herself is that she will now find it very difficult to comment negatively on that which should legitimately be criticised about government policy.

    Policy is the key to the nature of appropriate political discourse I think. For my money, it is generally fair enough to criticise policy and generally not OK to criticise someone’s personality or core identity. 

    So, for example, my view is that it is legitimate to criticise this government’s manufactured hostile environment towards refugees (and now, it seems, all those trying to settle in this country). That policy is cruel. I would go so far as to say it is unchristian. Indeed, I have gone so far as to say such things, from the pulpit, in the newspapers and online.

    I have little doubt that Bishop Joanna would agree with me. However, she is now so far on the back-foot that she will struggle to be able to articulate any coherent opposition to wicked government policies for a very long time.

    Bishop Joanna did get it wrong. However, she did apologise and sought to make amends. Though I think it will be hard for her to do so, I hope that she is back on social media soon and that she will be able to make her points in ways that hit home and which do not lead to her being silenced.

    Now, all this would have been fading away, had not the Archbishop of Canterbury interfered in the matter. It is reported today that he has written to the Secretary of State for Wales expressing the view that he was “truly sorry” for Bishop Joanna’s comments.

    This has now led, very rightly, to outrage being expressed online about the Archbishop of Canterbury interfering in a matter about which he has no jurisdiction. He has no business apologising for what bishops in Wales say in public. 

    Apart from anything else, no archbishop is going to survive the mental gymnastics required if they hold themselves responsible for what every bishop in the Anglican world thinks or says.

    The complaint will now be made by some that people are focussing on Archbishop Justin’s comments and forgetting about the “offence” of Bishop Joanna’s comments.

    And that is, quite rightly, exactly what people are doing.

    Bishop Joanna and the Archbishop of Canterbury have both made statements which are incompatible with their office.

    Bishop Joanna has apologised and those who do have jurisdiction in this matter seem to think that her apology is sincere. Her twitter sins should be forgiven. Archbishop Justin has not apologised for his comments.

    The more he intervenes in the running of other provinces, the more difficult his job becomes.

    The Archbishop of Canterbury hath, as the badge says, no jurisdiction in this Realm of Scotland. The Archbishop of Canterbury hath no jurisdiction in this matter in the Realm of Wales either.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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