• Every Eucharist is a Virtual Eucharist

    Heaven

    Every Eucharist is a virtual Eucharist. Of course it is.

    We know this.

    We experience this.

    We forget this.

    Christianity – at least the bits of Christianity that are worth taking seriously – takes time and space so seriously that it knows that the particular cannot ever express the ultimate. Indeed, time and space are playthings in the hands of the religiously inspired.

    Over the last few months it hasn’t been possible for my congregation to celebrate the Eucharist together in one space. But when we used to do that, we were never entirely in one space anyway. The very building itself is designed to transport people from the knowledge that they are a few yards from a busy thoroughfare in the Second City of Empire. Taking a few steps inside we find that we are in another place altogether. And in another empire, where the Emperor is servant of all and love is the essense of the law. The conceit that going into church takes you into a divine, heavenly realm is not an idea exclusive to the East. Coming into St Mary’s you are supposed to feel that you are stepping into heaven. It has been built to make you feel that. It has been decorated to make you feel that.  It does make people feel that.

    Whenever I take people into church I almost always hear them express a sense of wonder. We have the wow factor. It has been created by human skill to make you feel that the reality that you experience as you stand in the street is not the only reality that you can experience. It is a space that conveys that love, joy and peace might be possible and it does that without words. It is done with beauty and it takes people a few steps up the stairway to heaven.

    And it is the church playing with reality.

    That experience of going into a holy space and feeling part of something bigger is something common to religions that are divided on all kinds of doctrinal matters. It points to things that are best expressed through virtual reality and religious people are so used to virtual reality that they sometimes forget that it is all around them.

    When people come to the Eucharist in St Mary’s they are at once in Glasgow and simultaneously elsewhere. And elsewhere isn’t even singular either. At the Eucharist in Glasgow we are at one and the same time in an Upper Room in Jerusalem rather a long time ago and at the Wedding Feast of the Lamb at the ultimate consumation of all that is. The Last Supper and the Breakfast at the End of the Universe happen at the same table. At the same time.

    And as we gather at our table, we gather at every table and eat in communion with those who share in the same meal. Our fellowship with them isn’t prevented by circumstance. Our Eucharistic fellowship has never been prevented by circumstance or lack of physical proximity.

    We couldn’t keep the Triduum in Holy Week without virtual reality.

    Without virtual reality it would just be a way of making feet smell less.

    Without virtual reality it would just be a bonfire that would die.

    Christ is the celebrant at every Eucharist no matter which particular celebrant is standing there. Virtual reality becomes interwoven with the reality of the lives that we bring to the table and we are formed and changed and made new. It is how God’s love is expressed.

    This is virtual reality. Every Eucharist is a Virtual Eucharist. Cyberspace is one of the most powerful metaphors for prayer that human beings may ever develop.

    Our bodies are bound by physics.

    God’s love in this world isn’t.

    This is why religious buildings are important. It is also why they are not important.

    Every Eucharist is a Virtual Eucharist.

    Every Eucharist always was a Virtual Eucharist.

    Of course it was.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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