• Back from hols and quick theatre reviews

    beckettsmall
    I’m back to work at St Mary’s today after a post-Christmas (well, post-Epiphany) week off. I’m writing this at the point just before I go into work, say morning prayer and open up the emails that have come in to me whilst I was away.

    It has been a busy week. I managed to fit in a trip to Yorkshire to see family and a wee theatre trip to London.

    Here are a few quick theatre reviews of what I saw.

    • Matthew Bourne’s Swan Lake at Saddlers Wells – by some distance the most exciting thing I saw. I’ve come rather late to this one but loved it. (Except the ending which reminded me of Brokeback Mountain – how often gay couples only end up together when they are dead).
      Rating: ★★★★★
    • Ghosts at the Trafalgar Studios – A very good production of this Ibsen play though I was surprised when I got in that I’d already seen a strikingly similar production of the same play at the Citz a while ago. Outstanding question – why did the maid and her father sound as though they came from Govan when they were supposed to be rural Swedes?  Apart from that, all made sense and this was quite gripping.
      Rating: ★★★★☆
    • Not I, Footfalls and Rockaby – the Beckett trilogy at the Royal Court. This was the one I booked in advance and indeed the one that prompted me to book the trip. A rare chance to see Not I, not least because of how difficult it is – the actor hangs upside down on the stage and delivers a monologue “at the speed of thought” whilst the only illumination in the whole theatre is a tiny pencil spotlight on her lips. This was chilling, fascinating theatre that plays with your mind.
      Rating: ★★★★½
    • From Morning to Midnight – a German expressionist piece at the Royal National Theatre. Brilliantly done. But should it have been done? I was far from sure. Reminded me of that terrible production of the Seven Deadly Sins that Scottish Opera did a few years ago.
      Rating: ★★★☆☆
    • Mojo – a relatively new play at the Harold Pinter Theatre. This one didn’t work for me at all – far too shouty. Odd that the people in the stalls seemed to think it was hilarious and those in the Royal Circle didn’t. How does this happen?
      Rating: ★★☆☆☆

    Not a bad trawl. Add to that three big sung services in musical churches in London, a hour or so looking at favourite things in the National Gallery, some good food and good company and you’ve got a flavour of what I was up to.

    I was in London for three nights, by the way and managed to come back without blisters.

7 responses to “Sermon – 1 June 2008”

  1. Di Avatar

    It seems to me more and more important for us to rediscover the idea of the divine inspiration of the reader of scripture as well as that of the authors.

    Thank you for this, Kelvin. I agree with you wholeheartedly. After all, only the author truly knows what was in his head when he wrote it and indeed, where the inspiration came from.

    Oh, and I enjoyed the rest too.

  2. Marion Conn Avatar
    Marion Conn

    Once again I’m listening to this late at night. Definitely food for thought and prayer. I was outside in the rain tonight, I really like the idea of that I was not just wet, but drenched in Grace. Thanks Kelvin.

    Good Night.

  3. Jonathan Ensor Avatar
    Jonathan Ensor

    I believe that everyone has a right to freedom of thought. Freedom of speech is a circumscribed fact of life in the UK and it is certainly an interesting idea that reading can be inspired, but who is the arbiter of what is inspired and who is the arbiter of what is apostate. I may believe with all my heart that I am divinely inspired, but I still have to convince other people that this is the case and that I am not being grandiose etc. If I pontificate about a text in the common domain, I may well have to justify myself and/or defend my position at some considerable cost, which I may or may not be willing to pay.

  4. kelvin Avatar

    Thank you for your comments.

    Jonathan – I think that I was suggesting that we see both the authorship of texts and the reading of texts as activities that can be inspired. I think that there has to be some dialogue between author and reader.

    I also think that in the history of looking at biblical texts, some people have emphasised the value of the text to the individual whilst others have read the text in community. (We might also presume that the texts themselves were gathered in community). I don’t think that I’d like to lose sight of that idea of inspiration coming when a community reads a text together. That idea is important to me as it counters against the idea of individuals thinking that they (alone) are divinely inspired.

    It seems to me that more people have believed that they alone were the only proper source of truth or inspiration or legitimacy than has actually been the case.

  5. Elizabeth Avatar
    Elizabeth

    Having heard this text spoken of many, many, many times in the context of Luther’s reading, I must say it was an enormous relief to hear this other way of reading. This tempts me to return to other texts of Paul’s that might be worth re-reading without Evangelical/Calvinist/Lutheran-coloured glasses.

  6. Jonathan Ensor Avatar
    Jonathan Ensor

    Kelvin, I agree that there has to be a community, but pretty universally in churches I have been to the Minister has preached and the community has continued to be fragmented. Also there is no chance of dialogue with dead authors and in the realm of art, once a work is in the public realm it is available for multiple interpretations which the artist may well never have considered. Even legal documents which attempt to define the law are interpreted by the judiciary. There is little chance for art or literature or the bible to be consistently read because the implications of certain phrases or sentences may reside in the way that they are written rather than in the mind of the author and the definitions may be too loosely drawn.

  7. kelvin Avatar

    Many thanks for your comments.

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