• Review – Don Pasquale – Scottish Opera

    Rating: ★★★☆☆

    This review also appears at Opera Britannia

    Obviously intended http://imageshack.com/a/img39/3978/hyg7.jpgto be another populist crowd-pleaser, Scottish Opera’s new production of Don Pasquale is visually gorgeous but sabotaged from the pit by conducting from Francesco Corti that is bold, daring and utterly insensitive to the fact that anyone is singing.

    Things began well. On entering the theatre, the curtain was dominated by a large projected image apparently advertising the production. The first few bars of music came at a cracking pace and then a pause slightly more pregnant than usual as the digital image was revealed to be the first page of a digital book. As the overture continued, an unseen hand then started to scroll through the pages which turned out to be the pages of an Italian photo-story featuring the characters we were about to be introduced to. They gave the back-story to the production which was, and one is aware in the telling of it that there is a lot to swallow here, that the old bachelor Don Pasquale loves cats but is sadly allergic to them. Upon this artifice, which is unsupported by the libretto, hung quite a lot of the production. We saw in the unfolding comic-book story that Don Pasquale was having tests from a doctor to determine what it was that was causing him to be ill and that it turned out to be cats. Cats had to be eliminated from his life and these were then replaced by lots of artificial cats. The digital book was done with some panache though it is difficult to affirm the decision to have the text of the speech bubbles in Italian with no translation.

    When the overture was finally over and the narrative thus established, the curtain finally went up to reveal André Barbe’s brilliant set design. Again there was something of the comic book about the set which took us to Pensione Pasquale – a small lodging house in Rome, sometime on the cusp of the swinging sixties. Vibrant colours dominated the stage and a magnificent painted backdrop showed the local buildings towering over the Pensione.  Draped between the rooms that we could see and the sky above were yards of washing all out to dry in the sun on clothes lines.

    http://imageshack.com/a/img801/1582/qga4.jpg

    And thus we found Don Pasquale consulting Dr Malatesta about his allergies and apparently being assured that there could be no cats for him. Around the old man himself were stuffed cats, china cats and plastic cats. Cats indeed, of every kind.  All of this cat business was really leading to the best joke of the show – a brilliant visual gag at the final curtain which it would be unkind for the reviewer to reveal to anyone who might see the show.  However, reflecting on it after seeing the show, one is struck by how odd this feline premise was. (more…)

5 responses to ““Issues” is no more”

  1. Cedric Avatar
    Cedric

    Oh I well remember the day ‘Issues’ landed with a loud thud through the letter box. I had been ordained for over 10 years by then. And I reeled in reading it.
    Before then the general culture of conversation about sexuality in the Church was ‘don’t ask, don’t tell’. And most bishops acknowledged that among their most able and effective clergy many were gay men, some in relationships, and often deployable in parishes where others would not contemplate living and working.
    But remember the context. This was also a period when AIDS was an international emergency and in Britain the Thatcher government sought to outlaw the ‘promotion’ of homosexuality through section 28 of the Local Government Act. And for sure, ‘Issues’ was a direct consequence of the passing of the amended Tony Higton General Synod private members’ motion declaring all ‘homosexual acts’ as sinful. The consequent noise of the shutting of closet doors was deafening.
    In my diocese the bishop asked one of the archdeacons to convene regular confidential meetings with a few gay clergy to offer them an opportunity to talk about the effects of all this on their lives and ministry. Some would not trust the Church to participate in such enterprises. Understandably. And huge numbers of vocations were thwarted and lost. And are to this day, as the toxic debates continue in the C of E in a social context which has changed beyond imagining.
    So thank you Kelvin, as ever, for your insightful questions.

    1. Beth Avatar
      Beth

      Cedric, I recall you speaking to the LGBT Network at the Cathedral about Issues and that it was reaffirmed by the C of E around about that time too. I wasn’t so aware of it when it was published (being about eight years old at the time and also a Roman Catholic), but I remember so clearly from what you said how devastating it had obviously been and still was. I remember thinking at the time of that reaffirmation, “oh, I can never go home”. It became so clear to me that the Church of England wasn’t somewhere I could feel welcome as long as it was allowed to stand.

  2. Ian Paul Avatar

    Kelvin, I can understand why you are glad that the offensive language of Issues has gone. Ironically, it was actually a statement written by liberals of the day; the main author was Richard Harries.

    And conforming to Issues was never the real question. The real question is conforming to Canons B30 and C26, so that the pattern of life of clergy should reflect the doctrine of the Church ‘according to the teaching of Jesus’. All Issues did was make that clear and unambiguous (though in an unhelpful and obsessive way) with regard to sexual intimacy. Ironically, it was the liberal ‘don’t ask, don’t tell’ policy which cemented Issues in place as a response.

    And of course, with Issues gone, the Canons remain in place, and the demand is the same. The good thing about GPCC is that it sets this one issue in the context of many others, which is much healthier.

    But on the question in hand—nothing has changed. You seem to have missed that.

    1. Kelvin Avatar

      No Ian. It isn’t that I’ve missed that. It is that I don’t believe that.

      Issues was a massively offensive document that coloured absolutely everything the Church of England had to say about sexuality. Changes to Canons will look significantly different in the light of its removal.

      A great deal is changed by its removal.

  3. Mike Burnett Avatar
    Mike Burnett

    Jesus preached love, but he also forgave sins with the instruction ‘to sin no more’.
    Deciding not to sin when the sin in question is something that we enjoy so much that life may feel miserable without it, is a real sacrifice. It really is ‘bearing your cross’ to follow him. But that is what Christians are called to do.
    We may wish to question our translation of the Bible, or quibble over the exact meaning of a phrase we find challenging, but Christianity is not a ‘pick and mix’ faith where we just have to accept the bits we like and can ignore, or condemn, the bits we don’t like. We do not get to negotiate – we must take it or leave it.

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