What is in Kelvin's Head?

For Baghdad, for Beiruit, for Paris

14/11/2015

On the day of the 9/11 attacks, I was in Paris. At just about the time of the 9/11 attacks I was in the Louvre, looking at this icon. I had specifically flown there to see it on a very short overnight stay in the first madness of cheap Ryanair flights when you could just decide you were going to Paris to see an icon.

The icon iteself is fairly well known. They use it in Taize and it is often called “The icon of friendship”, the narrative being that Jesus has his arm around a fellow traveller who walks the road beside him. It is in fact St Mina whom Jesus has his arm around and I like to remember him by name as he is a patron of those who travel. The icon comes from the middle east (from Egypt) and in modern times is one of those things which unites Eastern and Western eyes.

Remembering standing in front of it in Paris and later learning of the 9/11 attacks, it seems an appropriate thing to post today after a day of terror in Beirut, Baghdad and Paris.

I’ve seen several grumpy posts on twitter going on about the wave of “meaningless” religious posts that we will see online. People angry at what they see as empty gestures.

The desire to hold a place or a people or a person or a situation in one’s heart seems to me to be a more human thing than a religious thing – it is in fact what unites us rather than something that divides us.

And yes, on one level the posts may seem banal to some. But holding someone’s hand or putting an arm around a shoulder could be seen as banal and meaningless too. Yet it is all we can do sometimes and what we need to do.

Today I’m thinking of that icon in that city and the other cities which suffered yesterday which are not at the forefront of our minds because somewhere inside we believe sudden violence is more normal there. I’m thinking of the hands held, the shoulders embraced. The weeping, the grieving and the dying.

The people of Paris have the right to peace. So do the people of Beirut and Baghdad. But that is perhaps for another day. Today the arm around the shoulder; the affirmation that we walk this world together.

Politics later.

Eternal God
For Paris, for Beirut, for Baghdad.
For the grieving, for the dead and for the wounded.
For a world united.
Amen.

6 responses to “Here or there?”

Gary

01/04/2007

Up there. High altar. No doubt.

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Tom Allen

01/04/2007

I am very much with Richard Giles on this one – there should liturgically only be one main altar – ideally this is achieved by romoving the former High altar and dedicating that space to some other purpose – where that is not possible as in historic cathedrals then it should be left dormant (covered in a simple cloth perhaps) and only the altar which is being used for worship should be dressed since this is in fact THE altar.

Despite all the reservations about removing former altars in the end it solves long-term problems, and provides a single visual focus for Eucharistic worship. At times when a high altar is needed then the new altar can moved there.

This kind of fuzziness illustrates that our liturgical practice has become dominated by hertiage criteria.

I am about to replace our main altar with something moveable and aesthetically more appropriate, but am facing a Registrars ruling that the current altar (and former eastward facing number more recently provided with wheels and moved to the chancel!) must be burnt, and that the wood frontal cannot be used for a screen.

Dont’ we get ourselves tied up in knots!
Tom

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Stewart

01/04/2007

A thought came to my mind this afternoon. At the Creed we all face east. This results in the choir turning their back on the Nave Altar and in most cases put the High Altar in their sight.

Considering Tom’s comments, another thought thinking about some English Cathedrals which have multiple altars around the building, it is not usually possible to see more than one at a time. Some have a chapel behind the High Altar – behind a screen.

Turning back to St Mary’s – all the action at the 10:30 service is centred and focused around the Nave Altar. However there is still the High Altar, the Pheobe Traquair Reredos and Gwyneth Leach mural of Our Lady at the East End. To my mind their presence enhances the worship around the Nave Altar and does not detract from it.

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Andrew

02/04/2007

The Altar is a table, where we commemorate a meal together. Clearly (to my mind) we should all be sitting round it, as we do (more or less) at present. The table reminds me that Jesus instituted the Last Supper when he was among us (HERE), not somewhere else (THERE).

I very much hope that the Altar in St. Mary’s can be left where it is.

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kelvin

03/04/2007

It seems to me curious that the practice that I inherited was to light and dress the high altar whilst using the nave altar. It makes no sense, except perhaps to highlight St Mary’s puzzling parallel worlds of deep conservatism mingled with radical liberalism.

Whist tending to agree with Andrew’s sentiments, it is worth remembering that the nave altar could hardly be said to have stayed in one place these last 20 years.

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Elizabeth

17/04/2007

Here. Both. Loving the paradox.

But maybe I only say that beccause the only church I’ve regularly worshiped in where there are clearly two visible altars is St Mary’s and that’s what I’m used to. I’ve never found it distracting that the high altar is dressed and lit, even though the nave altar is where the action is, so to speak. But then, would I notice if the high altar wasn’t dressed and lit? Probably not.

I do love the nave altar, peripatetic as it is!

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