• Choral Masses

    We’re having a month of Sundays at St Mary’s at the moment. Well, strictly speaking we are having a month of festival Sundays.

    The West End Festival is currently going on around these parts – the largest cultural event in Glasgow. One of the responses that we’ve made to it here in St Mary’s this year is to have special music on the Sundays in the festival. It has been a lot of work for the musicians, particularly as the church festivals (Pentecost, Trinity, Corpus Christi) which sometimes fall in West End Festival time were early this year and so we kept them with gusto before launching off on the festival programme immediately afterwards.

    Last Sunday the upper voices in the choir had a morning to themselves – the tenors and the basses having a morning not singing and the sound of the service was quite different to what we normally get. The music was the Fauré Messe Basse, one of my favourite settings and one which sounds simple and calm.

    Having a choral mass means that the choir sing more of the music and particularly the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei. [On Sunday we had a congregational Gloria because Fauré didn’t write a Gloria for the Messe Basse]. These bits are called the Ordinary of the mass. That’s because they appear through the year. There’s not a Gloria in Lent and Advent, but apart from that these are the bits of the service where the text remains the same throughout the year. Other things (readings, hymns, Eucharistic Prayers, collects, post-communion prayers etc) change around them to give us the seasonal variations. The idea is that there is a familiar structure to the service – the same basic shape, that allows us to relax into the worship whilst the things that change stimulate the mind to meditate on the passing themes and the stories of the Christian Year.

    The worship we celebrate in the Scottish Episcopal Church is a form of the Western Rite. That’s the liturgy which is celebrated primarily by the western church. If you go to church in an Eastern congregation (Russian, Greek, Syrian, Coptic etc) the the liturgy does feel quite different. Whereas, if a Scottish Episcopalian goes to mass in a Roman Catholic Church or a Roman Catholic comes to mass in one of our churches, they are more likely to comment on the similarities than the differences. Indeed, it is common for us as a Cathedral in a city to find after a service that there are foreign tourists at the service who have not realised which denomination they are actually in.

    I’m a bit of a Western Rite groupie myself. It is how I am and who I am. My identity is formed by it. It gives shape to my life and allows me to be who I am.

    I sometimes think that we don’t talk enough about where it comes from, what it is and what it does. Corpus Christi, that feast we celebrated with the rose petals and great clouds of billowing prayers the other week was the liturgical celebration of joy in the actions of the eucharist.

    It it hard to beat Dom Gregory Dix’s emotion in the following passage, which comes to my mind every year at Corpus Christi and is what I’m thinking of as I stand at that altar.

    Was ever another command so obeyed? For century after century, spreading slowly to every continent and country and among every race on earth, this action has been done, in every conceivable human circumstance, for every conceivable human need from infancy and before it to extreme old age and after it, from the pinnacle of earthly greatness to the refuge of fugitives in the caves and dens of the earth. Men have found no better thing than this to do for kings at their crowning and for criminals going to the scaffold; for armies in triumph or for a bride and bridegroom in a little country church; for the proclamation of a dogma or for a good crop of wheat; for the wisdom of the Parliament of a mighty nation or for a sick old woman afraid to die; for a schoolboy sitting an examination or for Columbus setting out to discover America; for the famine of whole provinces or for the soul of a dead lover; in thankfulness because my father did not die of pneumonia; for a village headman much tempted to return to fetich because the yams had failed; because the Turk was at the gates of Vienna; for the repentance of Margaret; for the settlement of a strike; for a son for a barren woman; for Captain so-and-so wounded and prisoner of war; while the lions roared in the nearby amphitheatre; on the beach at Dunkirk; while the hiss of scythes in the thick June grass came faintly through the windows of the church; tremulously, by an old monk on the fiftieth anniversary of his vows; furtively, by an exiled bishop who had hewn timber all day in a prison camp near Murmansk; gorgeously, for the canonisation of S. Joan of Arc—one could fill many pages with the reasons why men have done this, and not tell a hundredth part of them. And best of all, week by week and month by month, on a hundred thousand successive Sundays, faithfully, unfailingly, across all the parishes of Christendom, the pastors have done this just to make the plebs sancta Dei—the holy common people of God.

6 responses to “Here or there?”

  1. Gary Avatar

    Up there. High altar. No doubt.

  2. Tom Allen Avatar

    I am very much with Richard Giles on this one – there should liturgically only be one main altar – ideally this is achieved by romoving the former High altar and dedicating that space to some other purpose – where that is not possible as in historic cathedrals then it should be left dormant (covered in a simple cloth perhaps) and only the altar which is being used for worship should be dressed since this is in fact THE altar.

    Despite all the reservations about removing former altars in the end it solves long-term problems, and provides a single visual focus for Eucharistic worship. At times when a high altar is needed then the new altar can moved there.

    This kind of fuzziness illustrates that our liturgical practice has become dominated by hertiage criteria.

    I am about to replace our main altar with something moveable and aesthetically more appropriate, but am facing a Registrars ruling that the current altar (and former eastward facing number more recently provided with wheels and moved to the chancel!) must be burnt, and that the wood frontal cannot be used for a screen.

    Dont’ we get ourselves tied up in knots!
    Tom

  3. Stewart Avatar

    A thought came to my mind this afternoon. At the Creed we all face east. This results in the choir turning their back on the Nave Altar and in most cases put the High Altar in their sight.

    Considering Tom’s comments, another thought thinking about some English Cathedrals which have multiple altars around the building, it is not usually possible to see more than one at a time. Some have a chapel behind the High Altar – behind a screen.

    Turning back to St Mary’s – all the action at the 10:30 service is centred and focused around the Nave Altar. However there is still the High Altar, the Pheobe Traquair Reredos and Gwyneth Leach mural of Our Lady at the East End. To my mind their presence enhances the worship around the Nave Altar and does not detract from it.

  4. Andrew Avatar
    Andrew

    The Altar is a table, where we commemorate a meal together. Clearly (to my mind) we should all be sitting round it, as we do (more or less) at present. The table reminds me that Jesus instituted the Last Supper when he was among us (HERE), not somewhere else (THERE).

    I very much hope that the Altar in St. Mary’s can be left where it is.

  5. kelvin Avatar
    kelvin

    It seems to me curious that the practice that I inherited was to light and dress the high altar whilst using the nave altar. It makes no sense, except perhaps to highlight St Mary’s puzzling parallel worlds of deep conservatism mingled with radical liberalism.

    Whist tending to agree with Andrew’s sentiments, it is worth remembering that the nave altar could hardly be said to have stayed in one place these last 20 years.

  6. Elizabeth Avatar
    Elizabeth

    Here. Both. Loving the paradox.

    But maybe I only say that beccause the only church I’ve regularly worshiped in where there are clearly two visible altars is St Mary’s and that’s what I’m used to. I’ve never found it distracting that the high altar is dressed and lit, even though the nave altar is where the action is, so to speak. But then, would I notice if the high altar wasn’t dressed and lit? Probably not.

    I do love the nave altar, peripatetic as it is!

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